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The Art of Kubo and the Two Strings |  |
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The Art of Kubo and the Two Strings | |
Holiday Gift Guide Pick --Nerdist
作者简介Emily Haynes is the co-founder of BluePen, an editorial development agency. She is the author of numerous books, including Ganesha's Sweet Tooth and Designing With Pixar. She lives and works in Oakland, California. Travis Knight is LAIKA's president and CEO. He was lead animator of LAIKA's first feature, Coraline, as well as producer and lead animator of both ParaNorman and The Boxtrolls. He lives in Portland, Oregon.
网友对The Art of Kubo and the Two Strings的评论
这部动画因为没上映所有没看过，听看过的朋友说，是一部非常不错的定格动画。
这本书大致分为三个部分，分别是家，征途，返回，应该是按照故事内容来编排的。人物介绍很丰富，最初不同风格的人物设计草图，正式启用的全身照，不同表情的草图，人物服饰图案的介绍以及服饰制作的平铺展示。唯一美中不足就是定格的场景太少了，基本是CG设计部分的图，真实场景的照片只有那么几张，也没有细节介绍，略微失望。
总体来说喜欢这部动画的可以买来收藏，要是想对定格动画的制作多了解一些还是不要买了。
太棒了！很精致，非常喜欢。
一拆开就看到有破损 伐开心
不适合想学习偶动画制作流程的人买，但是前期设计资料很丰富，能学到一些前期的设计理解。
大概翻了一遍，比较直接扯到偶动画的就是有一个跨页是讲布料挑选的 别的就没有提供什么了。
I have all the LAIKA Art Of books that Knopff have put out (I still wish there was one for Coraline). The Paranorman book is one of my absolute favorite books I own, and even The Boxtrolls one is great. However, this one looks like it was just thrown together. There are plenty of digital paintings, but it's missing all the other conceptual art that rounds out the experience. At that, This book has maybe 1/16th the amount of writing that was in the prior books, which is disappointing. I don't understand why this book feels so last minute and thrown together, considering the Paranorman and Boxtrolls books are among the best produced I've seen. The actual art in the book is heavily weighted towards what look like concept paintings for various scenes or color scripts... with almost no emphasis on character, environment, or prop design, and no photos of the actual puppets or set constuctions (which might actually be the most interesting part of the whole process of these films!). Add to that the fact that there is almost no explanation or behind-the-scenes info or photography, and this book is a HUGE letdown for what was a beautiful and super creative film.
A good book of art , in the tradition of publishing books by chronicle . Much conceptual artl, but unlike the other making of laika films, this book not include images of the puppets and the sets of the film.
In the end, puppetry is what makes Laika studios so unique in the art scene. I have bought and do enjoy other books where the focus on the concept art and character designs, so in the end, I did actually enjoy The Art of Kubo and the Two Strings. But it just... Didn't hit the notes I wanted it to hit. I was particularly interested in seeing more of the armatures, especially the Sister's capes (GORGEOUS!), and this book really didn't go beyond what other non-laika studios books have gone. Concept art, character design, storyboarding .... But nothing on the stop motion aspect of the film. I had more fun actually watching some of the videos from Laika's youtube channel where they go into the effects and how they pulled them off in the film. There was no visuals of the bowling-ball puppetry for the underwater eyes, no photos of how they pulled off the ocean waves, and god knows everything else they put into the film that I would've loved to know how they pulled it off.
I wanted more from this book than I got; it wasn't strictly a complete disappointment, though. It is still gorgeous, the art is still beautiful, but if you're for a better insight into this film, this book will not deliver.
Great book as usual, but I'm kind of disappointed that there aren't more puppet photographs included. It's mostly concept art which is great, but I'd like to see the workmanship and detail of the final puppets themselves. Also more about the mechanical functioning of some of the more complicated characters would have been nice.
While I love the subject matter, I don't feel this book measures up to The Art of Boxtrolls and Paranorman. It is mostly concept art whereas, the other books covered the entire process of making the films. As much as I love the work of Laika, if I'd known what this book would have been like, I don't think I would have bought it.
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