What Obama Means: ...for Our Culture, Our Politics, Our Future

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		What Obama Means: ...for Our Culture, Our Politics, Our Future
		What Obama Means: ...for Our Culture, Our Politics, Our Future

基本信息·出版社：William Morrow
·页码：240 页
·出版日期：2009年01月
·ISBN：0061711330
·条形码：9780061711336
·装帧：精装
·正文语种：英语
·外文书名：奥巴马意味着什么

内容简介 在线阅读本书

"This is our moment. This is our time," Barack Obama declared in his victory speech on November 4, 2008. Such a moment is an opportunity to explore who we are, where we've been, and what the emergence of a leader like Obama can tell us about our culture, our politics, and our future. In What Obama Means, Jabari Asim, author of the acclaimed The N Word, provides the context needed to understand what the Obama presidency means to Americans of all backgrounds.

Asim moves easily from the contemporary to the historical, showing how performers and athletes, such as Michael Jackson and Michael Jordan, laid the groundwork for Obama as much as did leaders such as Frederick Douglass, W. E. B. DuBois, and Martin Luther King Jr. He examines the impact of Sidney Poitier (whose Guess Who's Coming to Dinner could have been the story of the president's parents) and how the actor's navigation of Hollywood was a forerunner for Obama's own path in wooing America's white voters. Asim places Obama within the history of the black rhetorical tradition, alongside such figures as James Baldwin, Fannie Lou Hamer, and Barbara Jordan. He also describes how the "Obama phenomenon" grew from the ground up, focusing on the people who caught on even before their leaders did. He demonstrates how Obama turned the old civil-rights model of African American leadership on its head, and shows that Obama's election is evidence of the progress that has been made in healing wounds and broadening America's concept of leadership and inspiration.

作者简介

Jabari Asim is the author of the acclaimed The N Word. He is editor in chief of The Crisis, the magazine of the NAACP, and is a former editor at and frequent contributor to the Washington Post. His writing has appeared on Salon.com and in Essence, the Los Angeles Times, and other publications. With his wife and five children, he divides his time between Maryland and Illinois.

编辑推荐 From The Washington Post
From The Washington Post's Book World/washingtonpost.com Reviewed by Richard Thompson Ford Barack Obama's historic struggle to become the nation's first black president is over, but the fight over the meaning of his victory has only begun. In What Obama Means -- one of what will certainly be many efforts to interpret and define the Obama phenomenon -- Jabari Asim argues that Obama's victory is the culmination of decades of black political struggle, social advancement and cultural achievement. Obama promises to continue this cultural transformation with a new style of racial politics: more productive and less antagonistic than that of the "charlatans and camera hogs with whom we are all too familiar" (a group in which the Reverends Al Sharpton and Jesse Jackson figure prominently) but no less committed to social justice. Asim, editor of the NAACP's journal the Crisis and former deputy editor of Book World, insists that Obama is the latest and most inspiring of a long line of "dedicated champions of black advancement." Because of Obama "it's becoming cool to be thoughtful, temperate and monogamous," writes Asim, and Americans "may come to associate blackness with brilliance, thoughtfulness, confidence, and radical optimism." By contrast, Obama's detractors, left and right, have suggested that the new president inevitably will be limited by the racial politics of the past. Last year the conservative commentator Shelby Steele argued in A Bound Man that Obama was tethered, by his liberal ideology and racial loyalty, to a counterproductive politics of grievance that exaggerates white racism and denies the need for individual responsibility among blacks. By contrast, left-leaning black social commentators such as Cornel West, Tavis Smiley and Jesse Jackson have complained that, to win elections, Obama pandered to white voters, ignoring his responsibility to blacks. Asim has the better argument: Black politics is undergoing a healthy transformation away from the confrontations of the culture wars and toward a new maturity. This change means that black politicians can faithfully and effectively serve multi-racial constituencies without being seen as sellouts, Americans of all races can grow comfortable with black role models and authority figures, and blacks can acknowledge their internal divisions without fear of disintegration. As Asim argues, "Obama's rise doesn't spell the end of oppression, but it exposes the fallacy of referring to all black Americans as particularly oppressed or oppressed specifically because of their blackness." What Obama Means dispatches a formidable battery of references to pop and high culture with the machine-gun pacing of a music video. Often, the results are both entertaining and insightful. Asim's enthusiasm for his subject keeps the reader engaged, and the strength of his underlying thesis about changing race relations usually grounds his heavily anecdotal exposition. But the rapid fire can turn scattershot. For example, in a scant four paragraphs, W.E.B. Du Bois competes for attention with Booker T. Washington, Amiri Baraka, Haki Madhubuti, Malcolm X, Ida B. Wells, Paul Robeson, Langston Hughes, Fannie Lou Hamer, James Baldwin and Edward Said -- not to mention Barack Obama. In such tight space Asim can't develop that crowd of examples or explain their relevance to his larger thesis; he can do little more than refer to them and race on. The book is most persuasive when Asim's examples stick closely to Obama's distinctive strengths: The chapters on politics and oratory are far stronger than those that compare Obama to professional athletes and popular musicians. In the weaker passages, the attempts to connect pop cultural figures to Obama occasionally misfire. For instance, Asim argues that Obama's biography parallels that of the musician Prince as told in the film "Purple Rain." But the connections are superficial (both men are of mixed parentage, each struggled with his identity before finding his voice), and although Asim clearly doesn't intend to insult either one, the comparison to an artist infamous for his eccentricity, emotional volatility and narcissism trivializes Obama. What Obama Means makes a compelling case for optimism about Obama's presidency and the coming changes in U.S. race relations. But Asim lacks critical distance, a quality that, perhaps, can come only with greater historical distance. Obama is a walking Rorschach test, a reflection of our racial aspirations and anxieties. Steele thought Obama was bound by the politics of racial grievance because Steele believes that that is the defining weakness of modern racial politics. West and Smiley worry that Obama will sell out the black poor because they think the black elite is riddled with sellouts. Similarly, Asim sees Obama as the harbinger of the type of racial politics that Asim himself thinks we need. Such reactions, whether critical or adulatory, don't do justice to Obama because they treat him as an avatar of his race, rather than as an individual with his own character and ideas. Seeing Obama as a symbol, not a man, makes it easy to criticize him for imagined or projected defects; it can also make it easy to celebrate him for virtues he has to yet to exhibit. Much about him remains unknown. It is unclear, for instance, how much emphasis Obama will place on past discrimination. While his background as a community organizer suggests he has a deep commitment to racial justice, there's little doubt that some of his supporters think their willingness to back a black candidate for president relieves them (and perhaps the nation as a whole) of responsibility to redress the many persistent effects of America's history of racism. Asim makes a plausible case that Obama's inauguration will usher in a renewed commitment to social justice tempered by a cool-headed pragmatism -- an end to the divisive and counterproductive racial politics that has come to dominate civil rights activism since the assassination of Martin Luther King Jr. But we may be too close to the Obama phenomenon, both psychologically and historically, to get a good read on what Obama means.
Copyright 2009, The Washington Post. All Rights Reserved.

From Booklist
The wade-into-deep-waters cultural critic who delivered The N Word (2007) now performs a lively, candid critique of Barack Obama as a global icon. How did an African American not only win the presidency of the U.S. but also appeal so powerfully to the imaginations of so many? What does Obama’s achievement indicate about the state of racism? Asim begins with a history of the black oratorical tradition and black advocacy, focusing on Martin Luther King Jr., Malcolm X, Shirley Chisholm, and Barbara Jordan. He then leaves politics for pop culture and portrays “crossover” figures who changed racial perceptions, including Prince and Michael Jackson in his Thriller prime, as well as trailblazing basketball players, especially Michael Jordan. On to the culture of cool, a resounding subject, and scorching analysis of films about black presidents and the figure he calls the “Magical Negro.” Asim’s shrewd, forthright mapping of the sea change that 40 years after Dr. King’s assassination has made possible the Obama presidency is an oasis of positive thinking in a world of confounding problems. --Donna Seaman


专业书评 From Publishers Weekly

In this exultation of everything Obama, author and magazine editor Asim (The N Word) takes a more historical approach to the 43rd President than his title would suggest, focusing more on pop-culture and political forebears than the consequences of Obama's election and presidency. Asim notes the influence of Michael Jackson and Prince, Duke Ellington and Dizzie Gillespie, Jay-Z and Usher, Eddie Murphy and Chris Rock, Jesse Jackson and Colin Powell-among many others-taking in the sweep of African-American empowerment and its drastic effects for Americans of every race. Asim deftly handles the intricacies of Black oratory, like Barbara Jordan's 1976 Democratic national convention keynote speech outlining the legacy of language, and responsibility, that Obama inherits (especially regarding MLK and the context of religion). Though Asim's goal-tying Obama to the proper "tradition of African American eloquence "-is, in many chapters, left undeveloped, this is a smart, easily-accessed history of African Americans in the public eye, suitable more for pop-culture enthusiasts than serious students of history or sociology.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

The wade-into-deep-waters cultural critic who delivered The N Word (2007) now performs a lively, candid critique of Barack Obama as a global icon. How did an African American not only win the presidency of the U.S. but also appeal so powerfully to the imaginations of so many? What does Obama’s achievement indicate about the state of racism? Asim begins with a history of the black oratorical tradition and black advocacy, focusing on Martin Luther King Jr., Malcolm X, Shirley Chisholm, and Barbara Jordan. He then leaves politics for pop culture and portrays “crossover” figures who changed racial perceptions, including?Prince and Michael Jackson in his Thriller prime, as well as trailblazing basketball players, especially Michael Jordan. On to the culture of cool, a resounding subject, and scorching analysis of films about black presidents and the figure he calls the “Magical Negro.” Asim’s shrewd, forthright mapping of the sea change that 40 years after Dr. King’s assassination has made possible the Obama presidency is an oasis of?positive thinking in?a world of confounding problems. --Donna Seaman