基本信息·出版社:St. Martin's Press ·页码:288 页 ·出版日期:2008年01月 ·ISBN:0312361688 ·International Standard Book Number:0312361688 ...
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The Memoirs of a Beautiful Boy |
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The Memoirs of a Beautiful Boy |
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基本信息·出版社:St. Martin's Press
·页码:288 页
·出版日期:2008年01月
·ISBN:0312361688
·International Standard Book Number:0312361688
·条形码:9780312361686
·EAN:9780312361686
·版本:1
·装帧:精装
·正文语种:英语
内容简介 In the Dear John letter Daddy left for Mother and me, on a Saturday afternoon in early June 1996, on the inlaid Florentine table in the front entry of our house, which we found that night upon returning from a day spent in the crème-colored light of Neiman’s, Daddy wrote that he was leaving us because Mother was crazy, and because she’d driven me crazy in a way that perfectly suited her own insanity.
In a memoir studded with delicious lines and unforgettable set pieces, Robert Leleux describes his East Texas boyhood and coming of age under the tutelage of his eccentric, bewigged, flamboyant, and knowing mother.
Left high and dry by Daddy and living on their in-laws’ horse ranch in a white-pillared house they can’t afford, Robert and Mother find themselves chronically low on cash. Soon they are forced into more modest quarters, and as a teenaged Robert watches with hilarity and horror, Mother begins a desperate regimen of makeovers, extreme plastic surgeries, and finally hairpiece epoxies---all calculated to secure a new, wealthy husband.
Mother’s strategy takes her, with Robert in tow, from the glamorous environs of the Neiman Marcus beauty salon to questionable surgery offices and finally to a storefront clinic on the wrong side of Houston. Meanwhile, Robert begins his own journey away from Mother and through the local theater’s world of miscast hopefuls and thwarted ambitions---and into a romance that surprises absolutely no one but himself.
Written with a warmth and a wicked sense of fun that lighten even the most awful circumstances, The Memoirs of a Beautiful Boy is a sparkling debut.
媒体推荐 Advance Praise for The Memoirs of a Beautiful Boy:
"I never really thought much about having a gay son until I read The Memoirs of a Beautiful Boy and laughed out loud so often I thought I'd better keep this book on hand in case I ever need to cure myself of a terminal disease. When I finished the book, I missed Robert Leleux's company so much, I wished he were my own son so I could call and hear his answer to, 'So, sweetie, how was your day?'"
--Beverly Donofrio, author of Riding in Cars with Boys
“What I’d like to be doing right this minute is sitting on a porch wing, with a big glass of iced tea, listening to Robert Leleux spinning stories of his Texas boyhood and laughing, laughing, laughing until we both were crying. Short of that, I’ll just reread The Memoirs of a Beautiful Boy, marching at how much humor he has wrung out of a painful adolescence growing up gay and with what skillfully broad strokes he has breathed life into an impossible mother whose unwavering love for her son is the one saving constant in her self-obsessed universe. When reading David Sedaris leaves you wanting more, remember the name Robert Leleux.”
--Elizabeth Forsythe Hailey, author of A Woman of Independent Means
"Reader, stand back! Here's Robert Leleux, the funniest young writer to appear in who knows when, with a maelstrom of a mother straight out of hell and Neiman Marcus, talking his way into the affections of readers everywhere with a wicked tongue tempered -- barely -- by a big generous heart."
--Mark Doty, author of Dog Years, Firebird, and Heaven's Coast
"The Memoirs of a Beautiful Boy lures--delights--and surprises."
--Liz Carpenter, author of Unplanned Parenthood, Getting Better All the Time, and Ruffles and Flourishes
专业书评 From Publishers WeeklyStarred Review. Teacher, freelance writer and first-time author Leleux proves he's already a master of the snappy one-liner and the improbably hilarious in this rollicking, bitter-sweet (emphasis on the bitter) coming-of-age memoir. Featuring a larger-than life mother addicted to shopping and surgical makeovers, Leleux admits to having "tilted" the story so that it "reads better (as in funnier, or happier) than it was lived"; still, it's a rocky trip that obviously required a highly evolved sense of humor to get through (fortunately, Leleux makes himself as big a target as his extravagant mother). Beginning with his father's abandonment when Leleux was 17, the author traces the erratic aftermath in the home of his desperate mom, whose plan to remarry rich leads her to pursue a risky and exorbitant series of surgical enhancements, turning inside-out Leleux's hope that "the end of marriage would be only the beginning of plastic surgery and happy new lives." In the meantime, Robert meets and unexpectedly falls in love with Michael Leleux, learning for the first time that he's gay and, further, that his mom has already known. Not for the timid, this laugh-out-loud tale of dysfunction and discovery is a compulsively readable treat; any fan of Augusten Burroughs or David Sedaris owes it to themselves to pick it up.
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文摘 Chapter 1
In the Dear John letter Daddy left for Mother and me, on a Saturday afternoon in early June 1996, on the inlaid Florentine table in the front entry of our house, which we found that night upon returning from a day spent in the crème-colored light of Neiman’s, Daddy wrote that he was leaving us because Mother was crazy, and because she’d driven me crazy in a way that perfectly suited her own insanity.
We’d just been to the Dairy Queen. My mouth was full of hamburger when I found the letter. Mother still had on the Jackie O sunglasses I’d given her earlier that week for her forty-fifth birthday, and was fumbling on the wall for the light switch. I read through the letter once, fast, and then called to Mother, who read it over slowly, sitting down in one of the low white chairs that lined the hall. Mother didn’t sit as she typically sat, with her calves fixed before her like they were the pillars of her lap. The way Mother sat on the low white chair against the wall of the entry, willowy leaves of yellow legal paper drifting from her thin fingers, her calves looked as though they’d collapsed. She signaled with the letter to the shopping bags beside the front door, their tissue paper poking up like dorsal fins: “All that goes back tomorrow.”
My first reaction to Daddy’s leaving was relief. I was sixteen, and what I wanted most for my mother was a divorce. For years, I’d kept a stack of Mother’s old magazines under my bed, copies of Vanity Fair and Hello!, with dog-eared articles about Pamela Harriman, and ladies for whom the end of marriage was only the beginning of plastic surgery and happy new lives.
One afternoon, while watching Of Human Bondage on the Channel 13 Three O’Clock Million Dollar Movie, when Bette Davis told Leslie Howard, “It made me sick when I let you kiss me. . . . I used to wipe my mouth!” Mother said to me, “Hmm. That’s pre
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