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Reading "Lolita" in Tehran: A Memoir in Books

2010-03-03 
基本信息·出版社:Fourth Estate ·页码:368 页 ·出版日期:2004年02月 ·ISBN:0007178484 ·条形码:9780007178483 ·装帧:平装 ·正文语种:英语 ...
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基本信息·出版社:Fourth Estate
·页码:368 页
·出版日期:2004年02月
·ISBN:0007178484
·条形码:9780007178483
·装帧:平装
·正文语种:英语

内容简介 When Azar Nafisi was fired from Tehran University (where she was teaching English literature) because she refused to wear a veil, she gathered a group of her female students and resumed her classes at home, privately and discreetly. There, a group of young women discussed, argued about and communed with Shakespeare, Jane Austen, Henry James, Nabokov and others in the canon of English writers. The surreal picture of reading "Lolita", weighing the sexuality of Jane Austen or the American authenticity of Gatsby in the severe aftermath of Iran's Islamic Revolution was not lost on either Nafisi or her students. The young women themselves represented a range of types and as we meet each of these students we enter their lives, investigate their backgrounds and receive an interesting insight into life in contemporary Iran. --This text refers to an out of print or unavailable edition of this title.
作者简介 Azar Nafisi is a professor at Johns Hopkins University. She won a fellowship from Oxford and taught English literature at the University of Tehran. She moved to America in 1997 and has written for The New York Times, The Washington Post, The Wall Street Journal and The New Republic. --This text refers to an out of print or unavailable edition of this title.
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编辑推荐 Amazon.co.uk Review
An inspired blend of memoir and literary criticism, Reading Lolita in Tehran is a moving testament to the power of art and its ability to change and improve people's lives. In 1995, after resigning from her job as a professor at a university in Tehran due to its repressive policies, Azar Nafisi invited seven of her best female students to attend a weekly study of great Western literature in her home. Since the books they read were officially banned by the government, the women were forced to meet in secret, often sharing photocopied pages of the illegal novels.

For two years they met to talk, share and "shed their mandatory veils and robes and burst into color". Though most of the women were shy and intimidated at first, they soon became emboldened by the forum and used the meetings as a springboard for debating the social, cultural and political realities of living under strict Islamic rule. They discussed their harassment at the hands of "morality guards," the daily indignities of living under Ayatollah Khomeini's regime, the effects of the Iran-Iraq war in the 1980s, love, marriage and life in general, giving readers a rare inside look at revolutionary Iran. The books were always the primary focus, however and they became "essential to our lives: they were not a luxury but a necessity", she writes.

Threaded into the memoir are trenchant discussions of the work of Vladimir Nabokov, F Scott Fitzgerald, Jane Austen and other authors who provided the women with examples of those who successfully asserted their autonomy despite great odds. The great works encouraged them to strike out against authoritarianism and repression in their own ways, both large and small: "There, in that living room, we rediscovered that we were also living, breathing human beings; and no matter how repressive the state became, no matter how intimidated and frightened we were, like Lolita we tried to escape and to create our own little pockets of freedom." In short, the art helped them to survive. --Shawn Carkonen, Amazon.com --This text refers to an out of print or unavailable edition of this title.

The Times
'Communicates brilliantly the terrifying moral absolutism of a state which believes that to write of adultery is to condone it.'

Simon Jenkins, The Sunday Times
'The use of Lolita, Gatsby etc. as metaphor is exquisite.'

Reviewed by Parviz Radji for The Times Higher Education Supplement, 19th September 2003
A remarkably original account of one woman's experience of the Iranian revolution, generously interspersed with erudite passages of literary criticism. --This text refers to an out of print or unavailable edition of this title.

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