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No One Belongs Here More Than You: Stories

2010-04-20 
基本信息·出版社:Scribner Book Company ·页码:224 页 ·出版日期:2008年05月 ·ISBN:0743299418 ·条形码:9780743299411 ·装帧:平装 ·正文语种 ...
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 No One Belongs Here More Than You: Stories


基本信息·出版社:Scribner Book Company
·页码:224 页
·出版日期:2008年05月
·ISBN:0743299418
·条形码:9780743299411
·装帧:平装
·正文语种:英语
·外文书名:没人比你更属此地(小说)

内容简介 Award-winning filmmaker and performing artist Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection. In these stories, July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly -- they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals their idiosyncrasies and the odd logic and longing that govern their lives. No One Belongs Here More Than You is a stunning debut, the work of a writer with a spectacularly original and compelling voice.
作者简介 Miranda July is a filmmaker, writer, and performing artist. Her work has been presented at sites such as The Kitchen, the Guggenheim Museum, and in two Whitney Biennials. She wrote, directed, and starred in her first feature-length film, Me and You and Everyone We Know, which received a special jury prize at the Sundance Film Festival and the Caméra d'Or at the Cannes Film Festival. July's short fiction has been published in The New Yorker, The Paris Review, Harper's, and Zoetrope, and has been heard on Public Radio. Raised in Berkeley, California, she lives in Los Angeles.
编辑推荐 From Publishers Weekly
It's a testament to July's artistry that the narrators of this arresting first collection elicit empathy rather than groans. "Making Love in 2003," for example, follows a young woman's dubious trajectory from being the passive, discarded object of her writing professor's attentions to seducing a 14-year-old boy in the special-needs class she teaches, while another young woman enters the sex industry when her girlfriend abandons her, with a surprising effect on the relationship. July's characters over these 16 stories get into similarly extreme situations in their quests to be loved and accepted, and often resort to their fantasy lives when the real world disappoints (which is often): the self-effacing narrator of "The Shared Patio" concocts a touching romance around her epilectic Korean neighbor; the aging single man of "The Sister" weaves an elaborate fantasy around his factory colleague Victor's teenage sister (who doesn't exist) to seduce someone else. July's single emotional register is familiar from her film Me and You and Everyone We Know, but it's a capacious one: wry, wistful, vulnerable, tough and tender, it fully accommodates moments of bleak human reversals. These stories are as immediate and distressing as confessionals. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Bookmarks Magazine
Miranda July's impressive accomplishments include two exhibits at the Whitney Biennial, an award-winning film (Me and You and Everyone We Know), two albums on the record label Kill Rock Stars, and now her praised collection of short stories (encouraged by her literary mentor Rick Moody). The stories, previously published in The New Yorker, The Paris Review, Harper's, Tin House, and other literary journals, won July praise as "a strange and compelling new voice" (Seattle Times). Even those who found the collection uneven and the narrative voices of each story eerily similar admire the best ones as "funny and insightful, offering moments of utter heartbreak through deeper, more sophisticated storytelling" (New York Times Book Review).

Copyright © 2004 Phillips & Nelson Media, Inc. --This text refers to the Hardcover edition.

From Booklist
July's collection of stories is a gem of unconventional storytelling. Comparisons to Lorrie Moore only get the potential reader halfway there; one must add Karen Finley's meditations and Douglas Coupland's painful self-exploration. July's unadorned prose has a conversational tone, sounding like overheard bus conversations. The disaffected are well represented in such stories as "Something That Needs Nothing" and "The Swim Team," but July is at her best when she takes it a step further. The merely marginal individual borders on the grotesque in "Majesty," about a middle-aged woman's strange obsession with Prince William, and in "Mon Plaisir," with its odd and strangely removed discussion of a couple's odd sexuality. However, the most powerful piece in the collection, "This Person," is told by an unseen narrator. "Someone" gets--and rejects--"her one chance to be loved by everyone," and the story of this opportunity and how it is dismissed is told in a detached, dreamlike narrative. Debi Lewis
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Review
"These stories are incredibly charming, beautifully written, frequently laugh-out-loud funny, and even, a dozen or so times, profound. Miranda July is a very real writer, and has one of the most original voices to appear in fiction in many years. Fans of Lorrie Moore should rub this book all over themselves -- she's got that perfect balance of humor and pathos. There has been no more enjoyable and promising a debut collection in many a moon."-- Dave Eggers

"These delightful stories do that essential-but-rare story thing: they surprise. They skip past the quotidian, the merely real, to the essential, and do so with a spirit of tenderness and wonder that is wholly unique. They are (let me coin a phrase) July-esque, which is to say: infused with wonder at the things of the world."-- George Saunders, author of In Persuasion Nation

"Miranda July's is a beautiful, odd, original voice -- seductive, sometimes erotic, and a little creepy, too."-- David Byrne

"A woman gives swimming lessons in her kitchen -- of course! Miranda July can make anything seem normal in these truly original stories. She has first-rate comic timing and a generous view of the human condition. Maybe best of all, there's joy here, too, often where you would not expect to find it."-- Amy Hempel, author of The Collected Stories of Amy Hempel

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