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Rendering in Pen and Ink: The Classic Book On Pen and Ink Techniques for Artists, Illustrators, Architects, and Designers |  |
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Rendering in Pen and Ink: The Classic Book On Pen and Ink Techniques for Artists, Illustrators, Architects, and Designers | |
Arthur L. Guptill (1891-1956) who co-founded Watson-Guptill Publications and was co-editor of American Artist magazine, was an architect, a painter, an art director, an author, and a teacher. Born in Gorham, Maine, he graduated with a degree in architecture from Pratt Institute in 1912, and then studied at the Massachusetts Institute of Technology. A partner in Bearse & Guptill, architectural designers and illustrators, from 1919 to 1925, Mr. Guptill was a freelance specialist in design, freelance advertising artist, and advertising agency consultant from 1916 to 1937. The founder, president, and director of activities of the Amateur Artists Association of America, Mr. Guptill wrote numerous art instruction books. He taught at Pratt and the Brooklyn Museum and was a member of the Art Directors Club of New York and a fellow of the Royal Society of Arts in England. Susan E. Meyer was born and raised in New York City. She was graduated from the University of Wisconsin and attended the Universita per Stranieri in Perugia, Italy. Ms. Meyer has had a long history of involvement with Arthur Guptill's work. For over seven years, as managing editor of Watson-Guptill Publications, the company he co-founded, she compiled and edited his books. In that capacity, she also compiled, edited, and collaborated on a number of other books on watercolorists and their techniques, painting portraits, and designing with type. In addition, Ms. Meyer was editor of American Artist magazine, where Guptill himself was once co-editor. She is the author of over a dozen books and is currently the director of Roundtable Press, Inc. in New York City.
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小时候在小书店买过一本该书的中译本，小开本，东南大学出的，最近浏览亚马逊偶然间看见这本英文原版的，很激动，立马就下了订单。当初的中文版排版图有点小，临摹时要细心的看笔触，而且对原版有部分的删减，这个也是本人决定购买原版的原因之一，毕竟好多学建筑的前辈在学习钢笔画时都主推该书作为学习的教材。只是在送货中由于包装太薄就一层塑料袋，书籍外皮被刮破一点，但不影响观阅，所以就不打算换了，以后发货商家要注意！！！书是好书，印刷和纸张都很好，希望出版社和商家都出这样的好书！！！
该书1930年首版，风靡建筑和艺术界快一个世纪了。20多年前我买过国内出版的两本盗版，其中一本甚至都不提原作者名字，只说是自己收集多种资料编写的。其实两本盗版100%出自该书，并且不约而同的阉割了绝大部分文字内容，只保留了插图。
由于是上班时间，快速的浏览了一遍。
参考案例丰富，类型多样，说明详尽，最最重要的是正好是我喜爱的偏写实风格。
值得仔细反复研究的教材，但临摹的话估计不能原样复制，要有选择性：有些图太繁琐，有些图线条略随性。
封面极细微破损，估计跟就一个塑料袋的包装有关系。
但不影响我给5分。
准备学习，由于自己喜欢所以买了，拿到一看，人家专业的画法确实值得学习。等有时间慢慢学吧。
This book was thicker than I imagined. It is chuck full of comparison methods on using simple details, to lighting via ink criss hatching on different parts of an object.
Great for intermediate, advanced as it complements those who have already practiced with ink but want to know more.
Its got
Focus study on pieces, pattern uses, differences, etc
Aside how picture or scene changes depending on what you focus the cross hatching onto.
Cross hatch sample squares and lots to read up on in handling flow, and how to avoid cluttering a picture incorrectly.
For those intermediate/Advanced inkers try Gary Simmons: The Technical Pen. Its short but sweet and cost is low. Shows methods, and comparisons of many different cross hatch technique to sketching with inks
Only con its not for beginners as its 50/50 on showing/text.
This is a great book. One reviewer said it was not a good how-to book, but I could not disagree more. If you read the text and study the multitude of drawings in the book, you cannot help but to get better at drawing in general and pen and ink rendering. I like the fact that the author tells you right up front that it is not innate talent, but hard work that will make one a good pen and ink artist. People who are good at it practice their pen strokes, observe objects and sketch them as much as they can and add to their store of knowledge and skill. I wish I had this book when I was younger and gave up drawing for years because I thought I just wasn't talented enough - as if you had to be born with drawing skills. I have been doing the excercises, practicing sketching and the studying pen and ink drawings of illustrators and artists and have seen much improvement. I also don't try to make every sketch a masterpiece, but have fun doing them, making mistakes and learning. There is a lot of good information and advice in this book and I am sure it will be a reference to me for the rest of my life and to pass on when I am gone.
Years ago, when spare time was still a reality for me, I used to draw birds and other animals in ink. I still love ink, maybe because I love the minutest details that it can express so well. The main reason why I purchased this book was not the text, and the pedagocical content, but the many splendid splendid illustrations from masters of the art. Still, I ended up also reading this book, even if I spent much more time admiring the illustrations. It is beautifully written, you immediately realize why this book has become an eternal "classic". But the illustrations, the illustrations are literally awesome. Every time I have this book in my hands I feel that I want to start drawing again. There are example of every sort, and they are all equally splendid: landscapes, portraits, architectural drawings, images of fables and monuments. Believe me, if you like ink, you will have a hard time finding a better book that this. If you would like to start drawing in ink, or if you would like to improve your technique, you will like this book even more, but the illustrations are worth the price by themselves. No wonder that all reviewers appear to agree! This book is fantastic.
This book, like so many similar, suffers from terrible quality reproduction. The scanning resolution of the original is of very poor quality and loses the nuance of the original's great linework. Many lines disappear altogether. I know this by comparing the new edition to an original edition from our library. Still somewhat worthwhile if you can see beyond the blotchy, blurry quality.
In this release of a book published in hard copy in 1930 (before felt-tip pens), the pure science of drawing with pen and ink, and ink washes is covered in fine detail. Just looking at the chapter headings I kept thinking, "I need that" or "I should know more about that". The book also features techniques and equipment specific to architectural drawing. For those of us with dip pen in hand, this book is an absolute necessity. For those modern felt tip artists, this book is an invaluable reference for managing light and dark and employing classic pen and ink technique. This book is never out of reach from my drawing table.
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