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Killing the Imposter God: Philip Pullman's Spiritual Imagination in His Dark Mat |  |
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Killing the Imposter God: Philip Pullman's Spiritual Imagination in His Dark Mat | |
Jason King is assistant professor of theology at St. Vincent College in Latrobe, Pennsylvania. He has been teaching college for eight years and loves his interactions with students and colleagues.
媒体推荐 Review
Freitas and King believe that Philip Pullman—whom the New Yorker called "one of England’s most outspoken atheists"—is a theologian in spite of himself, and that Pullman’s His Dark Materials trilogy is a religious classic on the order of the Chronicles of Narnia. Here, the authors attempt to show that the Pullman novels are not about killing off God, but rather, annihilating an understanding of God that is antiquated and unimaginative. Analyzing lengthy scenes from the novels, they find Pullman’s views pantheistic, rather than atheistic. Pullman "resurrects a far more sophisticated divinity" and wrestles mightily with theological questions. Freitas and King explore Pullman’s beliefs about God, good and evil, and salvation, seeing the novelist as squarely situated within liberation theology and "surprisingly Greek, indebted nearly as much to Socrates and Plato as to God the Father and God the Son." Freitas (Becoming a Goddess of Inner Poise) and King clearly know their material and have the requisite passion for their topic. Although this is not light reading, the book release’s timing to coincide with the motion picture, His Dark Materials: The Golden Compass, should give it higher visibility to a popular audience. (Sept. 7) (Publishers Weekly, June 11, 2007)
Review
“Most readers of Pullman’s His Dark Materials find ourselves wrestling with its ideas long after we’ve closed the books, and Freitas and King jump into the ring with passion and a truly unique perspective. Reading this lively and thoughtful book is like discussing the HDM trilogy over coffee with your very smartest friends.”--Kathryne B. Alfred, The Longstockings
“Freitas and King clearly know their material and have the requisite passion for their topic.” —Publisher's Weekly
“In Donna Freitas and Jason King's creative, compelling reading, Pullman emerges not as the atheist he always said he was, but as an unwitting witness to a divine force that longs to be with creation. It will not only change how you read Pullman—it may change how you think about your own story, too.”--Lauren F. Winner, author, Girl Meets God
编辑推荐 From Publishers Weekly
Freitas and King believe that Philip Pullman—whom the New Yorker called one of England's most outspoken atheists—is a theologian in spite of himself, and that Pullman's His Dark Materials trilogy is a religious classic on the order of the Chronicles of Narnia. Here, the authors attempt to show that the Pullman novels are not about killing off God, but rather, annihilating an understanding of God that is antiquated and unimaginative. Analyzing lengthy scenes from the novels, they find Pullman's views pantheistic, rather than atheistic. Pullman resurrects a far more sophisticated divinity and wrestles mightily with theological questions. Freitas and King explore Pullman's beliefs about God, good and evil, and salvation, seeing the novelist as squarely situated within liberation theology and surprisingly Greek, indebted nearly as much to Socrates and Plato as to God the Father and God the Son. Freitas (Becoming a Goddess of Inner Poise) and King clearly know their material and have the requisite passion for their topic. Although this is not light reading, the book release's timing to coincide with the motion picture, His Dark Materials: The Golden Compass, should give it higher visibility to a popular audience. (Sept. 7)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
Freitas and King believe that Philip Pullman—whom the New Yorker called "one of England’s most outspoken atheists"—is a theologian in spite of himself, and that Pullman’s His Dark Materials trilogy is a religious classic on the order of the Chronicles of Narnia. Here, the authors attempt to show that the Pullman novels are not about killing off God, but rather, annihilating an understanding of God that is antiquated and unimaginative. Analyzing lengthy scenes from the novels, they find Pullman’s views pantheistic, rather than atheistic. Pullman "resurrects a far more sophisticated divinity" and wrestles mightily with theological questions. Freitas and King explore Pullman’s beliefs about God, good and evil, and salvation, seeing the novelist as squarely situated within liberation theology and "surprisingly Greek, indebted nearly as much to Socrates and Plato as to God the Father and God the Son." Freitas (Becoming a Goddess of Inner Poise) and King clearly know their material and have the requisite passion for their topic. Although this is not light reading, the book release’s timing to coincide with the motion picture, His Dark Materials: The Golden Compass, should give it higher visibility to a popular audience. (Sept. 7) (Publishers Weekly, June 11, 2007)
Review
“Most readers of Pullman’s His Dark Materials find ourselves wrestling with its ideas long after we’ve closed the books, and Freitas and King jump into the ring with passion and a truly unique perspective. Reading this lively and thoughtful book is like discussing the HDM trilogy over coffee with your very smartest friends.”--Kathryne B. Alfred, The Longstockings
“Freitas and King clearly know their material and have the requisite passion for their topic.” —Publisher's Weekly
“In Donna Freitas and Jason King's creative, compelling reading, Pullman emerges not as the atheist he always said he was, but as an unwitting witness to a divine force that longs to be with creation. It will not only change how you read Pullman—it may change how you think about your own story, too.”--Lauren F. Winner, author, Girl Meets God
专业书评 From Publishers Weekly
Freitas and King believe that Philip Pullman—whom the New Yorker called one of England's most outspoken atheists—is a theologian in spite of himself, and that Pullman's His Dark Materials trilogy is a religious classic on the order of the Chronicles of Narnia. Here, the authors attempt to show that the Pullman novels are not about killing off God, but rather, annihilating an understanding of God that is antiquated and unimaginative. Analyzing lengthy scenes from the novels, they find Pullman's views pantheistic, rather than atheistic. Pullman resurrects a far more sophisticated divinity and wrestles mightily with theological questions. Freitas and King explore Pullman's beliefs about God, good and evil, and salvation, seeing the novelist as squarely situated within liberation theology and surprisingly Greek, indebted nearly as much to Socrates and Plato as to God the Father and God the Son. Freitas (Becoming a Goddess of Inner Poise) and King clearly know their material and have the requisite passion for their topic. Although this is not light reading, the book release's timing to coincide with the motion picture, His Dark Materials: The Golden Compass, should give it higher visibility to a popular audience. (Sept. 7)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
Freitas and King believe that Philip Pullman—whom the New Yorker called "one of England’s most outspoken atheists"—is a theologian in spite of himself, and that Pullman’s His Dark Materials trilogy is a religious classic on the order of the Chronicles of Narnia. Here, the authors attempt to show that the Pullman novels are not about killing off God, but rather, annihilating an understanding of God that is antiquated and unimaginative. Analyzing lengthy scenes from the novels, they find Pullman’s views pantheistic, rather than atheistic. Pullman "resurrects a far more sophisticated divinity" and wrestles mightily with theological questions. Freitas and King explore Pullman’s beliefs about God, good and evil, and salvation, seeing the novelist as squarely situated within liberation theology and "surprisingly Greek, indebted nearly as much to Socrates and Plato as to God the Father and God the Son." Freitas (Becoming a Goddess of Inner Poise) and King clearly know their material and have the requisite passion for their topic. Although this is not light reading, the book release’s timing to coincide with the motion picture, His Dark Materials: The Golden Compass, should give it higher visibility to a popular audience. (Sept. 7) (Publishers Weekly, June 11, 2007)
Review
“Most readers of Pullman’s His Dark Materials find ourselves wrestling with its ideas long after we’ve closed the books, and Freitas and King jump into the ring with passion and a truly unique perspective. Reading this lively and thoughtful book is like discussing the HDM trilogy over coffee with your very smartest friends.”--Kathryne B. Alfred, The Longstockings
“Freitas and King clearly know their material and have the requisite passion for their topic.” —Publisher's Weekly
“In Donna Freitas and Jason King's creative, compelling reading, Pullman emerges not as the atheist he always said he was, but as an unwitting witness to a divine force that longs to be with creation. It will not only change how you read Pullman—it may change how you think about your own story, too.”--Lauren F. Winner, author, Girl Meets God
