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The End of Harry Potter?

2010-03-31 
基本信息·出版社:Tor Books ·页码:208 页 ·出版日期:2007年03月 ·ISBN:0765319349 ·International Standard Book Number:0765319349 ·条形码: ...
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 The End of Harry Potter?


基本信息·出版社:Tor Books
·页码:208 页
·出版日期:2007年03月
·ISBN:0765319349
·International Standard Book Number:0765319349
·条形码:9780765319340
·EAN:9780765319340
·装帧:平装
·正文语种:英语
·外文书名:哈利波特的结局?

内容简介 The publication of Harry Potter and the Deathly Hallows, the seventh and final Harry Potter novel, is probably the most eagerly anticipated event in the history of publishing.  Even the smallest hints from author J. K. Rowling about what may happen to Harry and his friends have been major news stories.
 
In The End of Harry Potter?, David Langford—Potter fan and award-winning writer—delves into the many mysteries which remain unsolved.  Is Albus Dumbledore really dead? Whose side is Severus Snape really on? What are the remaining horcruxes, where He Who Shall Not Be Named has stashed his soul? Does Harry bear a part of the Dark Lord’s soul in his scar, and is this why he understands Parseltongue?
 
J. K. Rowling is the only person who knows the answers to these questions. But in this highly entertaining book, Langford uses his deep knowledge of the six published Harry Potter novels to explore these and other mysteries, and to present a selection of possible outcomes.
 
Only the publication of Harry Potter and the Deathly Hallows will lay these questions to rest, but in the meantime, fans of the series will find David Langford’s book entertaining and thought-provoking, and a perfect way to refresh their memory of the first six books in readiness for the last.
作者简介 Onetime nuclear physicist David Langford has been writing about science fiction and fantasy for several decades. He has won the science fiction world's Hugo Award 27 times.
文摘 Guns on the Wall
 
There's a famous saying by the Russian author and playwright Anton Chekhov, which goes: 'If you hang a gun on the wall in Act I, you must use it in Act III.' Sometimes it's differently translated as: 'If you introduce a gun at the beginning of the play, you must use it by the end of the play.'
 
J.K. Rowling hangs plenty of gun-equivalents on the walls of Hogwarts and elsewhere, but Chekhov's rule needs to be taken with a large pinch of salt when we're talking about novels. What he had in mind was the script of a play, where anything that's important enough to be mentioned in the stage directions should have its part in the action. Suppose, though, that in such-and-such a scene set in a stately home, that gun on the wall of the stage-set wasn't in the play script but is just a touch of high-class decoration added by the set designer…?
 
Harry's Uncle Vernon actually does buy a gun in Chapter Three of Philosopher's Stone--but it's not there to be used, only to underline how desperate he's getting (and also, when Hagrid so easily takes it away from him, to remind us again of what a wimp Vernon really is). It's an extra touch of make-up or stage decor, rather than an important piece of plot machinery.
 
Part of the fun of reading detective stories is the challenge of trying to sort out these ornamental extras from the real 'guns on the wall', the clues which are part of Agatha Christie's or Dorothy Sayers' or J.K. Rowling's secret script. As her readers have discovered, Rowling is rather good at inventing smokescreens of comic diversion to help conceal important clues, even when they're right under our noses. Now you see it, now you don't.
 
Chocolate Frog
 
In Philosopher's Stone, our author wants to plant the name of Nicolas Flamel--the wizard who created the Stone itself--in such a way that we barely notice its ap
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