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Louis I. Kahn |
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Louis I. Kahn |
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基本信息·出版社：Phaidon Press Ltd
·页码：512 页
·出版日期：2009年03月
·ISBN：0714849715
·条形码：9780714849713
·装帧：平装
·正文语种：英语
内容简介 Born in Estonia in 1901, Louis Isidore Kahn was to become one of the United States' most important architects of the post-war period, alongside the Modern masters Mies van der Rohe, Walter Gropius and Le Corbusier. Although renowned for a number of seminal modern works, he came to question many of the precepts of the Modern Movement. In particular, he questioned the ability of the International Style of Modernism to house the social spaces required by the latter half of the century. In 1947 Kahn was appointed Professor at Yale University. He was to continue teaching throughout his architectural career, influencing a younger generation of architects along the way. His teaching enabled him to further develop his own concepts and to inform his ever-evolving definition of design.He was drawn to investigate monumentality in architecture, creating buildings out of heavy, solid materials and forms and incorporating vivid plays of light, in complete contrast to the lightweight glass and steel structures being created elsewhere by his peers. This monumentality was also imbued with his concern for the ritual of human experience. His career, although extending to just over twenty years, was a rich and varied one, where he continually readdressed the issues of light, mass, structure, monumentality, geometry and materials.This monograph follows a predominantly chronological order, identifying major themes and examining key works according to these themes. Each building is illustrated with dynamic photographs that convey the spirit of Kahn's work, followed by a concept development portfolio that documents inspirations and early plans through to the finished work. An appendix at the back book features a selection of Kahn's own writings; there is also a comprehensive list of projects by Kahn spanning his lifetime and drawn from the "Louis I Kahn Collection" at the University of Pennsylvania Archives, listing over 231 projects, of which at least 30 were previously unattributed.
作者简介 Robert McCarter is a practicing architect and Professor at the University of Florida, where he was Director of the School of Architecture from 1991-2001. He has written for numerous international publications and is author of the comprehensive monograph Frank Lloyd Wright: Architect as well as Unity Temple and Fallingwater in the Architecture in Detail series and Louis I Kahn, all by Phaidon Press. He's also the author of William Morgan: Selected and Recent Work 1961-2001. Author's Residence: Newberry, Florida
编辑推荐 Amazon.com Review The considerable beauty of Robert McCarter's book about Louis Kahn, one of the titans of modern archtitecture, is akin to a Kahn building: squarish, monumental, monkish yet passionate and cunningly designed. The layout is exemplary, the straightforward chronological account of Kahn's career interspersed with conceptual histories of each of his important buildings, from the Yale Art Gallery to the Salk Institute to the National Capital of Bangladesh. The light splashes off the bright, thick pages in a way that would delight the master, and he would approve the clarity of the text and illustrations. Though the ample passages of Kahn's own prose are more poetical than McCarter's, in his soberly scholarly way, he's intellectually lively too, alert to Kahn's influences, from Frank Lloyd Wright to Buckminster Fuller, Barnett Newman to Noguchi. Fascinatingly, he traces the conceptual development of each major project--Kahn's masterpiece, La Jolla's Salk Institute, derives from the Acropolis plinth, Diocletian's palace, Hadrian's villa, the Alhambra, medieval monasteries, Renaissance churches, and Piranesi's plan to rebuild the ancient Roman Campus Martius (which also inspired the Bangladesh masterpiece). With exhilarated admiration, McCarter explains how Kahn coated the Salk project's concrete forms with polyurethane for perfect smoothness, added travertine stone and pozzuolana in the old Roman fashion to fashion textures and warm the tones, and fulfilled the master's ambition to fufill the material's potential: "Concrete really wants to be granite, but it can't manage." Wonderfully, McCarter provides computer renditions of masterpieces Kahn never created, including the stunning Hurva Synagogue in Jerusalem, which was to echo Wright's Johnson Wax Building. He gives a sense of Kahn the man, in his lifelong lover's quarrel with Wright and his hatred of the automobile. For a still deeper portrait, see Kahn's son's brilliant documentary
My Architect. No serious student of modern architecture can afford to be without this landmark book, a great teaching tool about one of the great teachers of the 20th century.
--Tim Appelo --This text refers to the Hardcover edition.
