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Grapevine: The New Art of Word-of-Mouth Marketing |  |
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Grapevine: The New Art of Word-of-Mouth Marketing | |
Balter’s company, BzzAgent, has grown exponentially in just a few years; it now coordinates an army of 75,000 volunteers who talk up products they genuinely love, ranging from books, beer, and jeans to perfumes, restaurants, and sausages. These agents are not asked to follow a script when talking with friends and acquaintances in everyday conversations, nor do they conceal that they’re agents. The honesty of their opinions is what make these agents believable.
The big lesson of BzzAgent’s success is that companies don’t need to win over experts, “influentials,” “cool hunters,” or “magic people” to drive word of mouth. They just need to reach ordinary consumers—from all age groups and income levels—who might be excited to try out new products before they hit the market. The person who sits next to you at work might have a bigger influence on what book you’ll read next than any critic, or even Oprah.
Grapevine features many real Bzz Agent campaigns (and transparently highlights both successes and failures) to show readers what strategies work best in driving word of mouth. It’s both a practical book for business people and an enlightening read for anyone curious about why products take off or flop.
作者简介 Dave Balter is the founder and CEO of BzzAgent, the groundbreaking word-of-mouth marketing firm that has been profiled in Forbes, Fast Company, and a New York Times Magazine cover story.
John Butman is the coauthor of the BusinessWeek bestseller Trading Up, among many other books.
媒体推荐 书评
From Publishers Weekly
Like most other marketing books, this intriguing but unconvincing volume dwells on botched ad campaigns, implying that those campaigns would have triumphed if only the advertiser had sought the authors' advice. In this case, all the reviled efforts overlooked "the most powerful marketing force in the world": word-of-mouth. "Everybody talks to everybody else about products every day," writes Balter, founder of three-year-old BzzAgent Inc., which enlists earnest volunteers to spread the gospel about products that the firm is hired to promote. Balter argues that the fact that BzzAgents actually tell people, "I'm a BzzAgent, and I'm pushing this product" aids the credibility of both the products and their advocates, with the result that Bzz campaigns succeed where shill campaigns (which employ paid actors) backfire. That may be true, but this volume doesn't adequately make the case that sincerity and product samples constitute a marketing revolution: the book's slapdash, "admittedly nonscientific" analysis is backed by little more than enthusiasm, quotes from The Tipping Point and three years of BzzAgent anecdotes. Balter's gee-whiz, narcissistic writing voice won't help win converts, either. (Though Butman is a coauthor, Balter narrates the book in the first person.) While it aspires to reorient current thinking on consumerism and social interaction, it's clear that this book's true purpose is to serve as a 210-page BzzAgent ad. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Why is it that normally talented, even cutting--edge innovators feel compelled to exhibit logorrhea when pen is poised over paper? Such is the case with Balter, who, with the aid of writer Butman, crystallizes his practice of word-of-mouth marketing. The concept is unique and differentiated from buzz by its credibility, its emphasis on genuine storytelling, and its theme: "not 100% goodness 100% of the time." There's research (and bottom-line sales results) that proves his points about the benefits of "one big cocktail party." But he spoils the effect by, in Seth Godin-esque fashion, choosing to insert a fictional account of Bardo, the perfect target customer; SparklyPerfect, a new product; and Annie, the designated marketer. First, a straight-out-of-fantasyland narrative goes against the honesty-is-our-policy foundation of word-of-mouth marketing. Second, real-life case histories--as with Apple iPod and its battery and the Coke C2 debacle--drive home the premise far better than any novel; real experiences and real perceptions make the product sing. Barbara Jacobs
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