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The Burma Chronicles |
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The Burma Chronicles |
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基本信息·出版社：Drawn and Quarterly
·页码：208 页
·出版日期：2008年09月
·ISBN：1897299508
·条形码：9781897299500
·装帧：精装
·正文语种：英语
·外文书名：缅甸纪事
内容简介 A timely and incisive portrait of a country on the tipping point After developing his acclaimed style of firsthand reporting with his bestselling graphic novels
Pyongyang: A Journey in North Korea and
Shenzhen: A Travelogue from China, Guy Delisle is back with
The Burma Chronicles. In this country notorious for its use of concealment and isolation as social control—where scissors-wielding censors monitor the papers, the de facto leader of the opposition has been under decade-long house arrest, insurgent-controlled regions are effectively cut off from the world, and rumor is the most reliable source of current information—he turns his gaze to the everyday for a sense of the big picture.
Delisle’s deft and recognizable renderings take note of almsgiving rituals, daylong power outages, and rampant heroin use in outlying regions, in this place where catastrophic mismanagement and ironhanded rule come up against profound resilience of spirit, expatriate life ambles along, and nongovernmental organizations struggle with the risk of co-option by the military junta.
The Burma Chronicles is drawn with a minimal line, and interspersed with wordless vignettes and moments of Delisle’s distinctive slapstick humor.
作者简介 Born in Quebec City in 1966,
GUY DELISLE spent a decade working in animation in Europe and Asia. In 2005–2006, he accompanied his wife, an administrator for Doctors Without Borders, on a fourteen-month posting in Burma.
编辑推荐 From Publishers Weekly DeLisle's (
Pyongyang) latest exploration of Asian life is probably the best possible argument against the ruling junta in the embattled (and now nearly obliterated) nation also known as Myanmar. Readers will find themselves initially shocked and surprised at the country's differences, then awestruck by the new traditions and finally in love with and yet enraged by Burmese daily life. DeLisle's wife is a French aid worker with Medecins Sans Frontières (Doctors Without Borders), leaving DeLisle alone with their son, Louis, and his cartooning. DeLisle's style is simple but highly eloquent, and he tells more about the depth and breadth of the Burmese experience in the book's little nonfiction vignettes than he ever could in an artificially imposed narrative.
Burma Chronicles is not merely a neat piece of cartooning but a valuable artifact of a repressive and highly destructive culture that curtails free speech with unparalleled tenacity. Like Joe Sacco's
The Fixer and
Safe Area Gorazde, DeLisle uses cartooning to dig into a story that demands to be told.
(Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker In previous graphic memoirs, Delisle, a Qu�b�cois animator, has documented in spare, whimsical black-and-white line drawings his visits to North Korea and China. Here, he turns his hand to another authoritarian Asian regime, Burma, where he spent a year after the 2004 tsunami with his wife and their infant son. Drawn with charming simplicity and brio, the book mixes traditional travelogue with glimmers of the unexpected, as when Delisle notes that in the local newspaper �some articles contain nothing but a list of officials present at a given event,� or discovers a lit light bulb placed in a drawer to keep paper dry during monsoon season. Delisle takes a whimsical approach but also logs political realities�the increasing difficulty of getting travel permits for humanitarian work, the abrupt banishment of foreign videos from stores.
Copyright ©2008
Click here to subscribe to The New Yorker Review Insightful, illuminating memoir of a year under a totalitarian regime.In 2005-06, Delisle (Shenzhen: A Travelogue from China, 2006, etc.) accompanied his wife, who works as an administrator for Doctors Without Borders, to the country recognized by the United Nations as Myanmar. The United States and other democratic countries, however, still call it Burma, refusing to recognize the legitimacy of the military junta that seized power in 1989. As in the illustrator's previous adventures in China and North Korea (Pyongyang, 2005), the focus is less on politics and more on the lives of the people he encounters - though such lives are profoundly shaped by politics. He comes to accept checkpoints and censorship as routine, and he does his best to find a suitable home, survive with intermittent electricity and Internet access and take care of his toddler son Louis, whose charm transcends cultural borders. The author also fears malaria, bird flu and poisonous snakes, though the DWB medical community provides more comfort than much of the Burmese citizenry enjoys. Delisle writes and illustrates a children's booklet on HIV, an important contribution to a country in which heroin and prostitution are rampant. As in previous volumes, his eye for everyday detail combined with droll, matter-of-fact narration humanizes his 14-month experience in a country that might seem traumatic, even intolerable, in other hands. "There were no demands and no uprisings either," he writes. "Things are always very calm here, thanks to a regime that creates paralysis by fomenting fear on a daily basis." The undercurrents of Buddhism throughout the book culminate in his visit to a temple, where his meditation proves transformative.Though classified as a graphic novelist, Delisle has claimed territory all his own as a graphic-travel memoirist. (Kirkus Reviews)
Review Praise for Guy Delisle:
“Like last year’s
Pyongyang . . .
Shenzhen is a casual, dryly witty series of observations . . . A thoroughly engaging memoir.”
—The New York Times Book Review
