Alice's Adventures in Wonderland & Through the Looking-Glass

商家名称	信用等级	购买信息	订购本书
		Alice's Adventures in Wonderland & Through the Looking-Glass
		Alice's Adventures in Wonderland & Through the Looking-Glass

基本信息·出版社：Bantam Classics
·页码：272 页
·出版日期：1984年05月
·ISBN：0553213458
·条形码：9780553213454
·装帧：简装
·开本：0开 Pages Per Sheet
·正文语种：英语
·丛书名：Bantam Classics
·外文书名：地狱

内容简介 在线阅读本书

In 1862 Charles Lutwidge Dodgson, a shy Oxford mathematician with a stammer, created a story about a little girl tumbling down a rabbit hole. Thus began the immortal adventures of Alice, perhaps the most popular heroine in English literature. Countless scholars have tried to define the charm of the Alice books–with those wonderfully eccentric characters the Queen of Hearts, Tweedledum, and Tweedledee, the Cheshire Cat, Mock Turtle, the Mad Hatter et al.–by proclaiming that they really comprise a satire on language, a political allegory, a parody of Victorian children’s literature, even a reflection of contemporary ecclesiastical history. Perhaps, as Dodgson might have said, Alice is no more than a dream, a fairy tale about the trials and tribulations of growing up–or down, or all turned round–as seen through the expert eyes of a child.
作者简介 “Lewis Carroll,” creator of the brilliantly witty Alice’s Adventures in Wonderland, was a pseudonym for Charles Lutwidge Dodgson, a shy Oxford don with a stammer.

He was born at Daresbury, Cheshire on January 27, 1832, son of a vicar. As the eldest boy among eleven children, he learned early to amuse his siblings by writing and editing family magazines. He was educated at Christ Church College, Oxford, where he lectured in mathematics from1855 to 1881. In 1861 he was ordained as a deacon.

Dodgson’s entry into the world of fiction was accidental. It happened one “golden afternoon” as he escorted his colleague’s three daughters on a trip up the river Isis. There he invented the story that might have been forgotten if not for the persistence of the youngest girl, Alice Liddell. Thanks to her, and to her encouraging friends, Alice was published in 1865, with drawings by the political cartoonist, John Tenniel. After Alice, Dodgson wrote Phantasmagoria and Other Poems (1869), Through the Looking-Glass (1871), The Hunting of Shark (1876, and Rhyme? and Reason? (1883).

As a mathematician Dodgson is best known for Euclid and His Modern Rivals (1879). He was also a superb children’s photographer, who captured the delicate, sensuous beauty of such little girls as Alice Liddell and Ellen Terry, the future actress. W.H. Auden called him “one of the best portrait photographer of the century.” Dodgson was also an inventor; his projects included a game of arithmetic croquet, a substitute for glue, and an apparatus for making notes in the dark. Though he sought publication for his light verse, he never dreamed his true gift–telling stories to children–merited publication or lasting fame, and he avoided publicity scrupulously Charles Dodgson died in 1898 of influenza.
媒体推荐 From Parents' Choice®
Rarely is the word "masterpiece" used in reviewing anything, but this unabridged edition of a classic definitely brings the word to mind, in hushed and reverent tones. Oxenbury has boldly offered a fresh look at Alice and her friends. The soft palette, creamy colors interspersed with engaging line drawings, and creative page layout, draw one hypnotically to the story. The double-page spreads pleasantly startle, often with a grand feel of movement. When choosing for a home library, consider this one and the original Tenniel drawings. Buy both - a win/win situation! A 2000 Parents' Choice® Gold Award winner.

Reviewed by Yvonne Coleman, Parents' Choice® 2000 --This text refers to an out of print or unavailable edition of this title.

From AudioFile
Reader Michael Page offers a rollicking performance of the 1865 children's classics, which don't seem dated in the least in his skillful hands. Every character is presented with a distinctly different tone, pacing and inflection. His narration is gently expressive; his British accent perfectly in keeping with the setting and characters. Happily, he doesn't slavishly imitate the well-known voices from the Disney cartoon version; his interpretation is distinct and complete in itself. This is a first-class presentation. D.W. (c)AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.

From Booklist
Gr. 4

-6, younger for reading aloud. There is no end to the available editions of Alice, of course, but here is one worth having. It is in a nice big format, with an exquisite typeface, easy to read and to hold in the lap. It has a genial and erudite introduction by Leonard Marcus, with a bit of biography of Carroll and some Alice publishing history, but, most of all, there are unusual, engrossing illustrations. Morell has taken the original Tenniel images, placed them in collage with realia, and photographed the resultant construction in black-and-white. The artifact of the book is used to great effect: the hole the White Rabbit descends is cut into a large book; the Tenniel caterpillar and Alice peering over the mushroom's edge poke up from the pages of a book in a swirl of smoke; the tea party table is a big old book with a checkerboard cover. This edition illuminates the familiar story in ways that point up its essential, strange "magick." GraceAnne A. DeCandido --This text refers to an out of print or unavailable edition of this title.

Midwest Book Review
This oversized, lavish, unabridged edition of Carroll's classic joins the works of Spanish artist Angel Dominguez with the Carroll fairy tale. Over seventy new watercolor illustrations blend Dominguez's unique style with the Alice story: the full-page color leaps from the page and makes this a very special edition suitable for all ages. --This text refers to an out of print or unavailable edition of this title.


编辑推荐 Amazon.com
Source of legend and lyric, reference and conjecture, Alice's Adventures in Wonderland is for most children pure pleasure in prose. While adults try to decipher Lewis Carroll's putative use of complex mathematical codes in the text, or debate his alleged use of opium, young readers simply dive with Alice through the rabbit hole, pursuing "The dream-child moving through a land / Of wonders wild and new." There they encounter the White Rabbit, the Queen of Hearts, the Mock Turtle, and the Mad Hatter, among a multitude of other characters--extinct, fantastical, and commonplace creatures. Alice journeys through this Wonderland, trying to fathom the meaning of her strange experiences. But they turn out to be "curiouser and curiouser," seemingly without moral or sense.

For more than 130 years, children have reveled in the delightfully non-moralistic, non-educational virtues of this classic. In fact, at every turn, Alice's new companions scoff at her traditional education. The Mock Turtle, for example, remarks that he took the "regular course" in school: Reeling, Writhing, and branches of Arithmetic-Ambition, Distraction, Uglification, and Derision. Carroll believed John Tenniel's illustrations were as important as his text. Naturally, Carroll's instincts were good; the masterful drawings are inextricably tied to the well-loved story. (All ages) --Emilie Coulter --This text refers to the Hardcover edition.


专业书评 From Publishers Weekly
If Zwerger's Alice (reviewed above) is deliciously cryptic, Oxenbury's (Tom and Pippo books) brims with the fun and frights of a visit to an amusement park. In perhaps her most ambitious work to date, Oxenbury applies her finely honed instinct for a child's perspective to create an Alice accessible to all ages. With the opening scene of a tomboyish heroine slumped against her sister who is reading under a tree, the artist seems to answer Alice's first line: "What is the use of a book... without pictures or conversations?" Nearly every spread contains either a spot-line drawing or full-bleed full-color painting. The artist nods to Tenniel with her hilarious portrait of the waistcoated White Rabbit and even extends the metaphor of the "grin without a cat" with a quartet of watercolors as the Cheshire Cat begins to disappearAuntil only his grin remains. The villains here are more stoogelike than menacing, including the baby-throwing Duchess and the Queen of Hearts, and Oxenbury makes the most of such comic opportunities as the entangled powdered wigs of the Frog-Footman and Fish-Footman. A series of cleverly choreographed closing scenes shows Alice in the Queen's courtroom, pelted by the playing cards that, on the next spread, seem to have transformed into the falling leaves of the tree where Alice awakens and her sister gives her a kiss; a poignant parting shot of Alice's sister silhouetted at dusk under the tree, with sheep grazing in the field, acknowledges the shift in tone of Carroll's conclusion. An ideal first introduction to a lifelong favorite read. Ages 8-up. (Nov.)
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From School Library Journal
Grade 4 Up-- Edens has compiled and arranged illustrations from 25 editions of Alice in Wonderland published in the early to mid-1900s. The result is a fascinating look at a variety of illustrative styles. This is far less jarring than one might expect because the original illustrator, John Tenniel, has so strongly influenced his successors that their interpretations are often similar in design. In fact, the fascination in these pictures is the differing details--Alice's dress, her hairstyle, and her expressions tell much about the time period and the artist's viewpoint. Edens has also done a fine job of integrating the pictures with the text. He varies interest by utilizing full-page plates, half plates, vignettes, and even reducing some illustrations to fit the design so the book flows fairly well and these myriad illustrations blend into a whole rather than distract the eye. The reproduction is excellent. A must for collections with historical interest in children's literature and large libraries. --Karen K. Radtke, Milwaukee Public Library
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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