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"Who Could That Be at This Hour?"

2017-03-23 
Before the Baudelaires became orphans, before he encountered A Series of Unfortunate Events, even be
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"Who Could That Be at This Hour?"

Before the Baudelaires became orphans, before he encountered A Series of Unfortunate Events, even before the invention of Netflix, Lemony Snicket was a boy discovering the mysteries of the world.


In a fading town, far from anyone he knew or trusted, a young Lemony Snicket began his apprenticeship in an organization nobody knows about. He started by asking questions that shouldn't have been on his mind. Now he has written an account that should not be published, in four volumes that shouldn't be read. This is the first volume.

媒体推荐

* "[With] gothic wackiness, linguistic play and literary allusions....Fans of the Series of Unfortunate Events will be in heaven picking out tidbit references to the tridecalogy, but readers who've yet to delve into that well of sadness will have no problem enjoying this weird and witty yarn."―Kirkus Reviews, starred review

* "Full of Snicket's trademark droll humor and maddeningly open-ended, this will have readers clamoring for volume two."―Publishers Weekly, starred review

* "Full of Snicket's characteristic wit and word play . . . this book belongs in all collections."
VOYA, starred review

"Please, it's Lemony Snicket. Enough said."―Booklist

"A Pink Panther-esque page turner that marks the return of eccentric narrator Lemony Snicket....The black, gray and blue illustrations by celebrated cartoonist Seth only add to the throwback gumshoe vibe of this outrageous, long-overdue, middle-grade follow-up series from a truly beloved narrator."―Los Angeles Times

"Demands to be read twice: once for the laughs and the second time for the clues....Equal parts wit and absurdity."―The Boston Globe

"The sort of goodie savored by brainy kids who love wordplay, puzzles and plots that zing from point A to B by way of the whole alphabet."―The Washington Post

作者简介

Lemony Snicket had an unusual education and a perplexing youth and now endures a despondent adulthood. His previous published works include the thirteen volumes in A Series of Unfortunate Events, The Composer is Dead, and 13 Words.

Seth has portrayed suspicious circumstances and shady characters in much of his work. He is a multi-award-winning cartoonist, author, and artist, whose works include Palookaville, Clyde Fans, and The Great Northern Brotherhood of Canadian Cartoonists.

网友对"Who Could That Be at This Hour?"的评论

很喜欢,非常感谢!下次

I like Lemony Snicket/Daniel Handler. Actually, I like and admire him. He is and has been willing to set off in his own direction, at his own speed, for his own purposes without apparent regard for the conventions of children's lit or the lack of precedent for his approach. That said, sometimes his books, especially the later "Series of Unfortunate Events" books, can be sour and brittle or just empty and clever for the sake of cleverness. (Although, you can also say that about authors like Roald Dahl and even Shel Silverstein if you want to get into an argument.)

In this series Snicket has more to work with and has a grander design. What you end up reading is a sort of kid noir magical realism. You have a deadpan, world weary, gimlet eyed 13 year old narrator with a dark sense of humor and a seen-it-all vibe. But, this isn't your typical middle or high school noir in which each school kid plays a younger version of an established noir type, (cheerleader as femme fatale, jock as a goon, isolated nerdy guy as criminal mastermind, and so on). Rather, Snicket sets his deadpan just-the-facts-ma'am hero in an odd, illogical and twisted world filled with fantastical features. It's as though he set a kid's production of "Dragnet" in Oz, (thankfully, without the magic or the flying monkeys).

The effect is a restrained yet surreal tale in which the prosaic and exceptional swirl around to create an unstable world. Sometimes this can be upsetting to adult readers, who expect a cute fun story from "Lemony Snicket". But while they are surprised by the unsettled and contrary Snicket world, kids take to it. Maybe it's because kid readers don't have settled expectations or aren't committed to conventional approaches and so respond well to the freedom of a Snicket book.

These books remind me a lot of Daniel Pinkwater's playfully mystical books, (say, The Neddiad: How Neddie Took the Train, Went to Hollywood, and SavedCivilization or Adventures of a Cat-Whiskered Girl), but where Pinkwater is lively and upbeat the Snicket books all have a strong undercurrent of melancholy. That's potent stuff for a younger reader, but there's nothing wrong with a challenge.

So, all of this is the long way around to saying that this book is sort of a mystery, and possibly a fantasy/adventure, and maybe a coming of age story, and conceivably just a big goof on all of us - but whatever it is it seems to me it would be great fun and a bit mind expanding for a confident and adventurous middle level reader.

I am a HUGE Lemony Snicket fan in general, and the writing in this book is classic Snicket ... such a joy to blanket myself in that wonderful "voice" again! I can't believe I'm writing a less than stellar review of a work by one of my favorite authors, but maybe I can help to set someone else's expectations more realistically ...

My complaint has nothing to do with the writing, which is wonderful. My husband and I added this to the stack of books that we read to each other in the car, and we just finished it last week. We both enjoyed the ride, but we both felt at the end as if the end of the book was simply ... missing. Nothing was resolved. Nothing was really answered. Please don't misunderstand: It's not that the ending is a cliffhanger. It feels more as if someone has just taken a larger story (of undetermined length), cut the first half (or third, or who knows?) out at random, and packaged it to sell as a complete book without considering whether or not it works as one.

So we're a bit disappointed. I don't mind "serial" stories, but I do like to have at least one story "sub-arc" completed in a novel, even if other elements span multiple books.

Consequently, we're feeling a bit gunshy about this series so far ... we'll probably wait to read reviews of the next book to see if early readers have the same kind of experience with that one before we buy it. Again, don't get me wrong, the writing here is marvelous ... and if you're pretty confident you'll enjoy climbing on at Point A and getting carried along without particularly caring whether you ever arrive at Point B, then there's no reason not to board this train. If, on the other hand, you'd like your destination to BE there when the ride ends, you might want to wait for the series to mature a bit first.

If you've been missing the quirky, humorous, writings of Lemony Snicket and his Baudelaire Orphans, then buy this book. I can't stress enough how much fun it was to pick up another book of Snicket's. The title of the series clearly illustrates the point of the books and get you to ask every question imaginable while reading. Occasionally, you'll even ask the right ones.
The book is set in that same realm of the Series of Unfortunate Events, mostly because it reads like it could be the Forties, or the late 1800s or some other era gone by, but also has that peculiar twinge that this world might not be our own. Everyone speaks in that same, weird, roundabout way, but the practice of reading so many words to illustrate something like tying one's shoes, is presented in such a witty way, it makes you giggle.
Something I really love about Snicket's writing is the way he incorporates large vocabulary words into his story and then has the characters slyly introduce their meaning. The use of the word doesn't stop there, and the hilarity of some characters needing the word defined to them as well, helps make it stick in your memory.
Ultimately, I think there are great aspects of this book that all readers will enjoy. Some of it is the possible fantastical world, for others the quirky dialogue, and others the great mystery and suspense wrapped in an adventurous little package. Either way, I think this questionably auto-biographical story is a great and quick read, and although it's intended audience is about 7 to 11 years old, it could be a lot of fun as a read-aloud with younger children, or read to the grown child inside of yourself.

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