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The Strain: Book One of The Strain Trilogy

2011-09-02 
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The Strain: Book One of The Strain Trilogy 去商家看看

 The Strain: Book One of The Strain Trilogy


基本信息·出版社:William Morrow
·页码:416 页
·出版日期:2009年06月
·ISBN:0061558230
·International Standard Book Number:0061558230
·条形码:9780061558238
·EAN:9780061558238
·装帧:精装
·正文语种:英语
·丛书名:The Strain Trilogy

内容简介 在线阅读本书

A Boeing 777 arrives at JFK and is on its way across the tarmac, when it suddenly stops dead. All window shades are pulled down. All lights are out. All communication channels have gone quiet. Crews on the ground are lost for answers, but an alert goes out to the CDC. Dr. Eph Goodweather, head of their Canary project, a rapid-response team that investigates biological threats, gets the call and boards the plane. What he finds makes his blood run cold.

In a pawnshop in Spanish Harlem, a former professor and survivor of the Holocaust named Abraham Setrakian knows something is happening. And he knows the time has come, that a war is brewing . . .

So begins a battle of mammoth proportions as the vampiric virus that has infected New York begins to spill out into the streets. Eph, who is joined by Setrakian and a motley crew of fighters, must now find a way to stop the contagion and save his city—a city that includes his wife and son—before it is too late.

--This text refers to the Audio CD edition.
作者简介

Born and raised in Guadalajara, Mexico, Guillermo del Toro made his feature directorial debut in 1993 with the film Cronos, and has since gone on to direct Mimic, The Devil's Backbone, Blade II, Hellboy I, Hellboy II, and Pan's Labyrinth, which garnered enormous critical praise worldwide and won three Academy Awards. He will direct two films based on The Hobbit, to be produced by Peter Jackson.

Nacido y criado en Guadalajara, MÉxico, Guillermo del Toro ha dirigido muchas pelÍculas exitosas, incluso El laberinto del Fauno. Va a dirigir dos pelÍculas basadas en El Hobbit, que serÁn producidas por Peter Jackson.


编辑推荐 His distinctive creatures and otherwordly parables use the realms of fantasy to explore fundamental human issues such as love, alienation, weakness and, of course, fear. [He is] a master of monsters. (USA Today )^"[One of] the most original and powerful filmmakers working today." (The Hollywood Reporter )^"[An] amazing writer and director. . . . Pan's Labyrinth places Mr. del Toro in the first rank of world filmmakers." (New York Times )^"A cinematic magician who has never lost his childlike sense of wonder." (Peter Jackson and Fran Walsh in Associated Press )^"He elevated gothic horror to art. . . . Bilingual, bicultural, multigenre, he has a voice that feels both fresh and ancient." (Entertainment Weekly )

Amazon Best of the Month, June 2009: Who better to reinvent the vampire genre than Guillermo Del Toro, the genius behind Pan's Labyrinth, and Chuck Hogan, master of character-driven thrillers like Prince of Thieves? The first of a trilogy, The Strain is everything you want from a horror novel--dark, bloody, and packed full of mayhem and mythology. But, be forewarned, these are not like any vampires you've met before--they're not sexy or star-crossed or "vegetarians"--they are hungry, they are connected, and they are multiplying. The vampire virus marches its way across New York, and all that stands between us and a grotesque end are a couple of scientists, an old man with a decades-old vendetta, and a young boy. This first installment moves fast and sets up the major players, counting down to the beginning of the end. Great summer reading. --Daphne Durham

Book Description

The visionary creator of the Academy Award-winning Pan's Labyrinth and a Hammett Award-winning author bring their imaginations to this bold, epic novel about a horrifying battle between man and vampire that threatens all humanity. It is the first installment in a thrilling trilogy and an extraordinary international publishing event.

The Strain

They have always been here. Vampires. In secret and in darkness. Waiting. Now their time has come.

In one week, Manhattan will be gone. In one month, the country.

In two months--the world.

A Boeing 777 arrives at JFK and is on its way across the tarmac, when it suddenly stops dead. All window shades are pulled down. All lights are out. All communication channels have gone quiet. Crews on the ground are lost for answers, but an alert goes out to the CDC. Dr. Eph Goodweather, head of their Canary project, a rapid-response team that investigates biological threats, gets the call and boards the plane. What he finds makes his blood run cold.

In a pawnshop in Spanish Harlem, a former professor and survivor of the Holocaust named Abraham Setrakian knows something is happening. And he knows the time has come, that a war is brewing . . .

So begins a battle of mammoth proportions as the vampiric virus that has infected New York begins to spill out into the streets. Eph, who is joined by Setrakian and a motley crew of fighters, must now find a way to stop the contagion and save his city--a city that includes his wife and son--before it is too late.

The Strain: Chapter One

"Once upon a time," said Abraham Setrakian’s grandmother, "there was a giant."

Young Abraham’s eyes brightened, and immediately the cabbage borscht in the wooden bowl got tastier, or at least less garlicky. He was a pale boy, underweight and sickly. His grandmother, intent on fattening him, sat across from him while he ate his soup, entertaining him by spinning a yarn.

A bubbeh meiseh, a "grandmother’s story." A fairy tale. A legend.

"He was the son of a Polish nobleman. And his name was Jusef Sardu. Master Sardu stood taller than any other man. Taller than any roof in the village. He had to bow deeply to enter any door. But his great height, it was a burden. A disease of birth, not a blessing. The young man suffered. His muscles lacked the strength to support his long, heavy bones. At times it was a struggle for him just to walk. He used a cane, a tall stick--taller than you--with a silver handle carved into the shape of a wolf’s head, which was the family crest."

"Yes, Bubbeh?" said Abraham, between spoonfuls.

"This was his lot in life, and it taught him humility, which is a rare thing indeed for a nobleman to possess. He had so much compassion-- for the poor, for the hardworking, for the sick. He was especially dear to the children of the village, and his great, deep pockets--the size of turnip sacks--bulged with trinkets and sweets. He had not much of a childhood himself, matching his father’s height at the age of eight, and surpassing him by a head at age nine. His frailty and his great size were a secret source of shame to his father. But Master Sardu truly was a gentle giant, and much beloved by his people. It was said of him that Master Sardu looked down on everyone, yet looked down on no one."

She nodded at him, reminding him to take another spoonful. He chewed a boiled red beet, known as a "baby heart" because of its color, its shape, its capillary-like strings. "Yes, Bubbeh?"

"He was also a lover of nature, and had no interest in the brutality of the hunt--but, as a nobleman and a man of rank, at the age of fifteen his father and his uncles prevailed upon him to accompany them on a six-week expedition to Romania."

"To here, Bubbeh?" said Abraham. "The giant, he came here?"

"To the north country, kaddishel. The dark forests. The Sardu men, they did not come to hunt wild pig or bear or elk. They came to hunt wolf, the family symbol, the arms of the house of Sardu. They were hunting a hunting animal. Sardu family lore said that eating wolf meat gave Sardu men courage and strength, and the young master’s father believed that this might cure his son’s weak muscles."

"Yes, Bubbeh?"

"Their trek was long and arduous, as well as violently opposed by the weather, and Jusef struggled mightily. He had never before traveled anywhere outside his family’s village, and the looks he received from strangers along the journey shamed him. When they arrived in the dark forest, the woodlands felt alive around him. Packs of animals roamed the woods at night, almost like refugees displaced from their shelters, their dens, nests, and lairs. So many animals that the hunters were unable to sleep at night in their camp. Some wanted to leave, but the elder Sardu’s obsession came before all else. They could hear the wolves, crying in the night, and he wanted one badly for his son, his only son, whose gigantism was a pox upon the Sardu line. He wanted to cleanse the house of Sardu of this curse, to marry off his son, and produce many healthy heirs.

"And so it was that his father, off tracking a wolf, was the first to become separated from the others, just before nightfall on the second evening. The rest waited for him all night, and spread out to search for him after sunrise. And so it was that one of Jusef’s cousins failed to return that evening. And so on, you see."

"Yes, Bubbeh?"

"Until the only one left was Jusef, the boy giant. That next day he set out, and in an area previously searched, discovered the body of his father, and of all his cousins and uncles, laid out at the entrance to an underground cave. Their skulls had been crushed with great force, but their bodies remained uneaten--killed by a beast of tremendous strength, yet not out of hunger or fear. For what reason, he could not guess—though he did feel himself being watched, perhaps even studied, by some being lurking within that dark cave.

"Master Sardu carried each body away from the cave and buried them deep. Of course, this exertion severely weakened him, taking most of his strength. He was spent, he was farmutshet. And yet, alone and scared and exhausted, he returned to the cave that night, to face what evil revealed itself after dark, to avenge his forebears or die trying. This is known from a diary he kept, discovered in the woods many years later. This was his last entry."

Continue Reading The Strain


专业书评 From Publishers Weekly

Starred Review. Director Del Toro (who won an Oscar for Pan's Labyrinth) makes a dramatic splash in his fiction debut, the first volume in a vampires vs. humanity trilogy, coauthored with Hogan (Prince of Thieves). Just as a jumbo jet on a flight from Germany to New York is touching down at JFK, something goes terribly wrong. When Ephraim Goodweather, of the Centers for Disease Control, investigates the darkened plane, he finds all but four passengers and crew dead, drained of blood. Despite Goodweather's efforts to keep the survivors segregated, they get discharged into the general population. Soon after, the corpses of the tragedy's victims disappear. The epidemiologist begins to credit the wild stories of Abraham Setrakian, an elderly pawnbroker who's the book's Van Helsing figure, and concludes that a master vampire has arrived in the U.S. The authors maintain the suspense and tension throughout in a tour de force reminiscent of Whitley Strieber's early work. (June)
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