About a Boy

商家名称	信用等级	购买信息	订购本书
		About a Boy
		About a Boy

基本信息·出版社：Penguin Books Ltd
·页码：288 页
·出版日期：2000年10月
·ISBN：0140293450
·条形码：9780140293456
·装帧：平装
·正文语种：英语
·外文书名：关于一个男孩

内容简介 Nick Hornby's second bestselling novel is about sex, manliness and fatherhood. Will is thirty-six, comfortable and child-free. And he's discovered a brilliant new way of meeting women - through single-parent groups. Marcus is twelve and a little bitnerdish: he's got the kind of mother who made him listen to Joni Mitchell rather than Nirvana. Perhaps they can help each other out a little bit, and both can start to act their age.
作者简介 Nick Hornby was born in 1957 and worked as a teacher before becoming a full-time writer. His books are FEVER PITCH (1992), HIGH FIDELITY (1995) and ABOUT A BOY (1998). In 1999 he won an E. M. Forster award from the American Academy of Arts and Letters. He lives in north London.
编辑推荐 Amazon.com Review
Will Lightman is a Peter Pan for the 1990s. At 36, the terminally hip North Londoner is unmarried, hyper-concerned with his coolness quotient, and blithely living off his father's novelty-song royalties. Will sees himself as entirely lacking in hidden depths--and he's proud of it! The only trouble is, his friends are succumbing to responsibilities and children, and he's increasingly left out in the cold. How can someone brilliantly equipped for meaningless relationships ensure that he'll continue to meet beautiful Julie Christie-like women and ensure that they'll throw him over before things get too profound? A brief encounter with a single mother sets Will off on his new career, that of "serial nice guy." As far as he's concerned--and remember, concern isn't his strong suit--he's the perfect catch for the young mother on the go. After an interlude of sexual bliss, she'll realize that her child isn't ready for a man in their life and Will can ride off into the Highgate sunset, where more damsels apparently await. The only catch is that the best way to meet these women is at single-parent get-togethers. In one of Nick Hornby's many hilarious (and embarrassing) scenes, Will falls into some serious misrepresentation at SPAT ("Single Parents--Alone Together"), passing himself off as a bereft single dad: "There was, he thought, an emotional truth here somewhere, and he could see now that his role-playing had a previously unsuspected artistic element to it. He was acting, yes, but in the noblest, most profound sense of the word."

What interferes with Will's career arc, of course, is reality--in the shape of a 12-year-old boy who is in many ways his polar opposite. For Marcus, cool isn't even a possibility, let alone an issue. For starters, he's a victim at his new school. Things at home are pretty awful, too, since his musical therapist mother seems increasingly in need of therapy herself. All Marcus can do is cobble together information with a mixture of incomprehension, innocence, self-blame, and unfettered clear sight. As fans of Fever Pitch and High Fidelity already know, Hornby's insight into laddishness magically combines the serious and the hilarious. About a Boy continues his singular examination of masculine wish-fulfillment and fear. This time, though, the author lets women and children onto the playing field, forcing his feckless hero to leap over an entirely new--and entirely welcome--set of emotional hurdles. --This text refers to an out of print or unavailable edition of this title.

From Booklist
How cool is 36-year-old Will Lightman? Sub-zero, according to the questionnaire in his favorite men's magazine. Not only does he own more than five hip-hop albums (five points), he's also slept with a woman he didn't know very well within the last three months (another five points). Targeting single mothers, he joins a single parents' group under false pretenses and is soon drawn into the lives of depressed Fiona and her bright 12-year-old son, Marcus. Suddenly, his life is messy and complicated, and he's horrified when he realizes that he's now hanging with the type of people who gather around the piano to sincerely sing songs like "Both Sides Now" with their eyes closed. This is Hornby's second novel (following High Fidelity, 1995), and it's obvious he has an uncanny ability for homing in on wholly contemporary, often serious topics and serving them up in truly hilarious fashion. His skillful analysis of hipster angst has obviously struck a chord--this novel has been sold to filmmakers for more than $3 million. Joanne Wilkinson --This text refers to an out of print or unavailable edition of this title.

From Kirkus Reviews
The originality and fun spilling over in Hornby's acclaimed debut, High Fidelity (1995), run deep and strong through this second novel, as a playboy pretends he's a single dad so he can date single moms, but finds his fantasies warped by the real needs of an unusual 12-year-old boy. Set for life in London with royalties from a sappy Christmas song his father wrote, Will Lightman does nothing all day except be cool--something he does extremely well. And he chases women, with intermittent success. When chance throws a beautiful mom his way, he makes the most of the opportunity, even though she dumps him because she thinks he's ready for commitment and she isn't. No matter: He joins a single parents' group, inventing a toddler named Ned, and is well on the way to another conquest when frizzy-haired loner Marcus and his depressive hippie mother Fiona intervene. They all meet on the day Fiona tries to kill herself, and while Will's really just a friendly bystander, Marcus, in desperation, seizes on him as the solution to their problems. He follows Will to see where he lives, and, after quickly seeing through the toddler ruse, takes to barging in on his ``friend'' nearly every day after school. While hardly in agreement with this turn of events, Will is still enough of a boy himself to recognize that the lad needs a hand, and finds himself caring enough to buy Marcus cool sneakers, which are promptly stolen by the gang at school who harass Marcus daily. But Will provides the key that gives Marcus a first girlfriend, and then is repaid in kind when he meets another beautiful mom, falls in love, and persuades Marcus to act as his son to keep her from getting away. Far more than just boys will be boys, this has the right mix of hilarity and irrepressible characters to attract a wide audience: an upbeat, unqualified success. (First serial to the New Yorker; Book-of-the-Month Club featured alternate selection; author tour) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Review
Hornby displays his knack of turning a superficially slight tale into something more meaningful. About a Boy is actually about two boys: Will Freeman, 36 years old going on 18, leads a hedonistic lifestyle, funded by a Christmas hit written by his father in the 1930s; and Marcus is a confused 12-year-old, brought to London by his depressed bohemian mother. The two find each other when the childless Will, testing out a new way of meeting women, joins SPAT, a single parents group. Marcus has a lot of problems - a suicidal mother, an uncool haircut, and he doesn't know who Kurt Cobain is. Because he's different, he is bullied at school and Will, who understands these things, is able to help the mature but introverted Marcus come out of himself and learn to enjoy being a boy. Hornby writes movingly about the major and minor problems of living a decent, humane life in 1990s Britain. (Kirkus UK)

The originality and fun spilling over in Hornby's acclaimed debut, High Fidelity (1995), run deep and strong through this second novel, as a playboy pretends he's a single dad so he can date single moms, but finds his fantasies warped by the real needs of an unusual 12-year-old boy. Set for life in London with royalties from a sappy Christmas song his father wrote, Will Lightman does nothing all day except be cool - something he does extremely well. And he chases women, with intermittent success. When chance throws a beautiful mom his way, he makes the most of the opportunity, even though she dumps him because she thinks he's ready for commitment and she isn't. No matter: He joins a single parents' group, inventing a toddler named Ned, and is well on the way to another conquest when frizzy-haired loner Marcus and his depressive hippie mother Fiona intervene. They all meet on the day Fiona tries to kill herself, and while Will's really just a friendly bystander, Marcus, in desperation, seizes on him as the solution to their problems. He follows Will to see where he lives, and, after quickly seeing through the toddler ruse, takes to barging in on his "friend" nearly every day after school. While hardly in agreement with this turn of events, Will is still enough of a boy himself to recognize that the lad needs a hand, and finds himself caring enough to buy Marcus cool sneakers, which are promptly stolen by the gang at school who harass Marcus daily. But Will provides the key that gives Marcus a first girlfriend, and then is repaid in kind when he meets another beautiful mom, falls in love, and persuades Marcus to act as his son to keep her from getting away. Far more than just boys will be boys, this has the right mix of hilarity and irrepressible characters to attract a wide audience: an upbeat, unqualified success. (Kirkus Reviews)

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