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Heart-Shaped Box: A Novel |  |
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Heart-Shaped Box: A Novel | |
Judas Coyne is a collector of the macabre: a cookbook for cannibals . . . a used hangman's noose . . . a snuff film. An aging death-metal rock god, his taste for the unnatural is as widely known to his legions of fans as the notorious excesses of his youth. But nothing he possesses is as unlikely or as dreadful as his latest discovery, an item for sale on the Internet, a thing so terribly strange, Jude can't help but reach for his wallet.
I will "sell" my stepfather's ghost to the highest bidder. . . .
For a thousand dollars, Jude will become the proud owner of a dead man's suit, said to be haunted by a restless spirit. He isn't afraid. He has spent a lifetime coping with ghosts—of an abusive father, of the lovers he callously abandoned, of the bandmates he betrayed. What's one more?
But what UPS delivers to his door in a black heart-shaped box is no imaginary or metaphorical ghost, no benign conversation piece. It's the real thing.
And suddenly the suit's previous owner is everywhere: behind the bedroom door . . . seated in Jude's restored vintage Mustang . . . standing outside his window . . . staring out from his widescreen TV. Waiting—with a gleaming razor blade on a chain dangling from one bony hand. . . .
A multiple-award winner for his short fiction, author Joe Hill immediately vaults into the top echelon of dark fantasists with a blood-chilling roller-coaster ride of a novel, a masterwork brimming with relentless thrills and acid terror.
A two-time Bram Stoker Award-winner and a recipient of the World Fantasy Award, Joe Hill is the author of the critically acclaimed New York Times bestseller Heart-Shaped Box. His stories have appeared in numerous journals and Year's Best collections. He calls New England home.
In 1993, Scott Smith wowed readers with his stunning debut thriller, A Simple Plan. Thirteen years later, he spooked us again with The Ruins, a horror-thriller about four Americans traveling in Mexico who stumble across a nightmare in the jungle. Hill has a flawless sense of pacing. His narrative never flags, nor does it ever move so quickly as to outrun itself. And one can sense his literary ambition pushing at the margins of the genre. There are times when his writing, for all its spare efficiency, seems to jump away from him, stopping one small step short of poetry. An e-mail to Jude from the ghost (trust me, it's not as absurd as it sounds) could even pass for something ee cummings might've written, in an especially morbid mood. And toward the end of the book, when Hill describes a trip down death's "night road" in a '65 Mustang, the passage has a startlingly lyrical beauty.
The story's horror ultimately has as much to do with Jude Coyne's past--his mistakes, abandonments and betrayals--as with anything supernatural. Jude has caused a lot of pain over the years, moving through life with a carelessness that verges on the callous. His battle with the ghost brings this behavior into sharp relief, forcing him to reflect upon his own capacity for cruelty. This dawning self-awareness leavens the book's bleakness and gore (and it is delightfully gory in places) with an unexpected sweetness. Despite our initial impression, Jude is gradually revealed--both to himself and the reader--as an essentially decent, even kind man. It's this kindness, this fledgling ability to love and be loved, that will ultimately be of crucial consequence in his death struggle with the ghost. And it's what makes Hill's debut not only well-written and terrifying, but also--as it draws to its close--surprisingly moving. So go ahead, take a chance, and open his Heart-Shaped Box. I think you’ll be happy you did. --Scott Smith
Harlan Coben is the author of the beloved Myron Bolitar series about a wisecracking sports agent, as well as stunning stand-alone novels like The Innocent and his breakout thriller Tell No One. His new novel The Woods releases on April 17, 2007. Like, say, a vengeful ghost.
That is what rock-star Judas Coyne does, thinking it will be a laugh, fun for his "sick-o" collection of such things. It seems a random buy, but Judas soon learns that it is anything but. This particular ghost is one Craddock McDermott, step-father to recent suicide victim and boy, is he cranky. He demands revenge for his step-daughter’s death, which he blames on Judas’s shabby treatment of her.
Or is he after something else?
There are Amazon readers who will give you a better plot summary. Don't read them too closely because Joe Hill provides plenty of fun surprises. Heart-Shaped Box is a true spine-tingler. I don’t use that hyphenated word much anymore. We have seen and read it all, haven't we? But right away, in the first chapter, there was a subtle line that made the hairs on the back of my neck go up in a way I haven't experienced since I first discovered great horror as a teenager.
Hill writes with a sure hand. The prose is compelling. Like most memorable tales of horror, this book is more about redemption than scary moments--though Heart-Shaped Box has plenty of scares. They are visceral, shocking and very well done. The characters are flawed and real. The father-son relationship adds texture and surprising poignancy.
So here's the thing. My guess is, you won’t find a ghost to buy online, but if you read the Heart-Shaped Box, you will be getting something that will haunt you and startle you and stay with you and yes, visit you in your dreams.
Sleep well, dear reader. --Harlan Coben
From Publishers Weekly
Starred Review. Stoker-winner Hill features a particularly merciless ghost in his powerful first novel. Middle-aged rock star Judas Coyne collects morbid curios for fun, so doesn't think twice about buying a suit advertised at an online auction site as haunted by its dead owner's ghost. Only after it arrives does Judas discover that the suit belonged to Craddock McDermott, the stepfather of one of Coyne's discarded groupies, and that the old man's ghost is a malignant spirit determined to kill Judas in revenge for his stepdaughter's suicide. Judas isn't quite the cad or Craddock the avenging angel this scenario makes them at first, but their true motivations reveal themselves only gradually in a fast-paced plot that crackles with expertly planted surprises and revelations. Hill (20th Century Ghosts) gives his characters believably complex emotional lives that help to anchor the supernatural in psychological reality and prove that (as one character observes) "horror was rooted in sympathy." His subtle and skillful treatment of horrors that could easily have exploded over the top and out of control helps make this a truly memorable debut. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Adult/High School—Hill, two-time winner of the Bram Stoker Award for his short fiction, delivers a terrifyingly contemporary twist to the traditional ghost story with his first novel. Aging rock star Judas Coyne is a collector of bizarre and macabre artifacts: a used hangman's noose, a snuff film, and rare books on witchcraft. When he purchases a suit billed in an online auction as the haunted clothes of a recently deceased man, Coyne finds more than he bargained for. Everywhere he looks he sees the twisted spirit of an old and evil man following him and dangling a deadly razor on a chain. He learns that the suit belonged to Craddock McDermott, the stepfather of a former lover who committed suicide shortly after Coyne tossed her out of his life. McDermott, a professional hypnotist prior to his death, swore to destroy Coyne's rock-star life of self-indulgence to avenge her death. The behind-the-scenes look at stardom alongside the frightening pyrotechnics of McDermott's ghost will draw in teens who really enjoy a good scare. But like all good ghost stories, Hill also crafts a deftly plotted mystery as McDermott's true motivations and powers unfold. The depth of character hidden in the dark shadows of both men lifts what could otherwise be a formula supernatural thriller to an impressive debut.—Matthew L. Moffett, Pohick Regional Library, Burke, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The Washington Post's Book World/washingtonpost.com
In the opening scene of Joe Hill's first novel, Jude Coyne, an aging rock star with a penchant for macabre collectibles, buys a ghost through an Internet auction house. The transaction is made tangible by shipment of the dead man's Sunday suit. Contrary to Jude's initial skepticism, the suit arrives (in the heart-shaped box of the title) and the ghost with it: an aged man in a fedora, "black lines squirmed and tangled" where his eyes should be, and a razor dangling on a chain from his ring finger.
More than Jude bargained for? No, maybe exactly what he deserves. It turns out that the singer also has a penchant for Goth chick groupies -- "their limber, athletic, tattooed bodies and eagerness for kink" -- and this spirit is Craddock McDermott, the stepfather of a suicidal ex-girlfriend, a stepfather apparently now bent on revenge.
Though he's not advertising the fact, Hill is the son of Stephen King, but he's able to concoct a rousing story in his own right despite those big shoes (or maybe because he's learned something at the master's feet?). Early scenes tap into common nocturnal fears: Is there someone in the house? The realistic and the fantastic mix to eerie ends: Radio deejay patter and TV shows morph regularly into Craddock's voice, urging evil thoughts that the characters struggle to resist.
For all the ghostly goings-on, however, Hill is ultimately after another level of horror. The major players are either victims or victimizers in a cycle of childhood abuse -- a common element of Goth chickdom, as Jude comments in reflecting on that jilted girlfriend and his current flame, Georgia. But Jude carries scars, too, from an abusive father who once slammed his teenage son's hand in a door and whose impending death shadows the story as much as Craddock's dark spirit. Our heroes aren't just facing unwelcome fates but contending with difficult pasts as well.
Hill can write an effectively scary scene (he's already won awards for his short fiction), but he falters in balancing the aspects of the novel's longer form: overall pacing, structural cohesion, even consistency of plot and theme. As Jude and Georgia battle the ghost, we find ourselves struggling with questions as well: Who can see Craddock? When? Is the key to defeating him in this world or the next? Singing seems a winning strategy -- thematically apt, too -- and maybe Georgia's grandmother holds some clue, but ultimately little is made of either strand.
Late in the novel, Jude feels brief pity for his sickly father, and Hill slips in some quick commentary on the genre: "Horror was rooted in sympathy, after all, in understanding what it would be like to suffer the worst." But the book's greatest flaw lies in the myriad times Hill misses opportunities to put that wisdom to work. In the climactic scene, Hill amps up the action instead of diving into what should be complex layers of emotion. Mixing sympathy and suffering would have plunged into the depths of true horror.
-- Art Taylor is an assistant professor of English at George Mason University.
Copyright 2007, The Washington Post. All Rights Reserved.
