A Theory of Literary Production

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		A Theory of Literary Production
		A Theory of Literary Production

基本信息·出版社：Routledge
·页码：374 页
·出版日期：2006年03月
·ISBN：0415378494
·条形码：9780415378499
·装帧：平装
·正文语种：英语
·丛书名：Routledge Classics
·外文书名：文学生产理论

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"What is at stake in this book is nothing less than a dramatically new way of approaching literature, one which in its unostentatious, low key way scandalously smashes a whole range of liberal humanist icons."
--Terry Eagleton
Who is more important: the reader, or the writer? Originally published in French in 1966, Pierre Macherey's first and most famous work, A Theory of Literary Production dared to challenge perceived wisdom, and quickly established him as a pivotal figure in literary theory.
In this provocative work, Macherey puts the focus as much on the reader as the writer, stating that the very act of reading is a form of production in its own right, generating interpretation and meanings which are beyond the control of the author.
Part of the birth of a whole new branch of post-structuralist theory, Macherey's work also influenced a new generation of critics among them Jacques Derrida, his contemporary, and Terry Eagleton. His ideas have also led some observers to claim that he announced the death of the author fully two years before Roland Barthes' famous essay.
The reissue of this work as a Routledge Classic brings some radical ideas to a new audience, and argues persuasively for a totally new way of reading. As such, it is an essential work for anyone interested in the development of literary theory.
作者简介 Pierre Macherey is a founding theorist of post-structuralism, and was a peer of Jacques Derrida's. His writings have influenced such contemporary literary thinkers as Terry Eagleton and Catherine Belsey.
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'What is at stake in this book is nothing less than a dramatically new way of approaching literature, one which in its unostentatious, low key way scandalously smashes a whole range of liberal humanist icons.' - Terry Eagleton

What is at stake in this book is nothing less than a dramatically new way of approaching literature, one which in its unostentatious, low key way scandalously smashes a whole range of liberal humanist icons. – Terry Eagleton

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