The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problems

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		The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problems
		The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problems

All writing is rewriting. But what do you change, and how do you change it? All screenplays have problems. They happened to Die Hard: With a Vengeance and Broken Arrow-and didn't get fixed, leaving the films flawed. They nearly shelved Platoon-until Oliver Stone rewrote the first ten pages and created a classic. They happen to every screenwriter. But good writers see their problems as a springboard to creativity. Now bestselling author Syd Field, who works on over 1,000 screenplays a year, tells you step-by-step how to identify and fix common screenwriting problems, providing the professional secrets that make movies brilliant-secrets that can make your screenplay one headed for success...or even Cannes. Learn how to:

Understand what makes great stories work
Make your screenplay work in the first ten pages, using Thelma & Louise and Dances With Wolves as models
Use a "dream assignment" to let your creative self break free overnight
Make action build character, the way Quentin Tarantino does
Recover when you hit the "wall"-and overcome writer's block forever

网友对The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problems的评论

This is one of the best books I've read on the art of diagnosing and editing screenplay problems. I got much more out of this in one sitting than going through years of weekly writers critique groups. He gives very practical, formulaic rules for analyzing structure, character and plot problems, and his illustrations drive the points home. I highly recommend this book.

I bought this book to catch up on ways to motivate myself when writing my scripts. I run into problems with scenes that don't fit and the book easily explains what to do. My screenwriting moto is that if it doesn't fit take it out. Anyone who has to do rewrites for agents, hollywood prod. companies or for themselves, should pick up this book. EXCELLENT....

Good information. Somewhat dated and redundant in places.

Great book for fixing the screenplay!

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